Bildungsromans; Feminist fiction; Women -- Employment -- Fiction; Young women -- Fiction
This dainty nicety amused her at first, but she liked it, and very soon
her thoughts went back to the old times when she worked with Aunt
Betsey, and learned the good old-fashioned arts which now were to prove
her fitness for this pleasant place.
Mrs. Sterling saw the shadow that crept into Christie’s face, and led
the chat to cheerful things, not saying much herself, but beguiling the
other to talk, and listening with an interest that made it easy to go
on.
Mr. Power and the Wilkinses made them friends very soon; and in an hour
or two Christie was moving about the kitchen as if she had already
taken possession of her new kingdom.
“Thee likes housework I think,” said Mrs. Sterling, as she watched her
hang up a towel to dry, and rinse her dish-cloth when the cleaning up
was done.
“Oh, yes! if I need not do it with a shiftless Irish girl to drive me
distracted by pretending to help. I have lived out, and did not find it
hard while I had my good Hepsey. I was second girl, and can set a table
in style. Shall I try now?” she asked, as the old lady went into a
little dining-room with fresh napkins in her hand.
“Yes, but we have no style here. I will show thee once, and hereafter
it will be thy work, as thy feet are younger than mine.”
A nice old-fashioned table was soon spread, and Christie kept smiling
at the contrast between this and Mrs. Stuart’s. Chubby little pitchers
appeared, delicate old glass, queer china, and tiny tea-spoons; linen
as smooth as satin, and a quaint tankard that might have come over in
the “May-flower.”
“Now, will thee take that pitcher of water to David’s room? It is at
the top of the house, and may need a little dusting. I have not been
able to attend to it as I would like since I have been alone,” said
Mrs. Sterling.
Rooms usually betray something of the character and tastes of their
occupants, and Christie paused a moment as she entered David’s, to look
about her with feminine interest.
It was the attic, and extended the whole length of the house. One end
was curtained off as a bedroom, and she smiled at its austere
simplicity.
A gable in the middle made a sunny recess, where were stored bags and
boxes of seed, bunches of herbs, and shelves full of those tiny pots in
which baby plants are born and nursed till they can grow alone.
The west end was evidently the study, and here Christie took a good
look as she dusted tidily. The furniture was nothing, only an old sofa,
with the horsehair sticking out in tufts here and there; an antique
secretary; and a table covered with books. As she whisked the duster
down the front of the ancient piece of furniture, one of the doors in
the upper half swung open, and Christie saw three objects that
irresistibly riveted her eyes for a moment. A broken fan, a bundle of
letters tied up with a black ribbon, and a little work-basket in which
lay a fanciful needle-book with “Letty” embroidered on it in faded
silk.
Public-domain text, read in full here on John Shaqi.
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