Bildungsromans; Feminist fiction; Women -- Employment -- Fiction; Young women -- Fiction
She was up again directly, and, inspired by this superb success, ran in
and presently reappeared as Lady Macbeth with Mrs. Wilkins’s scarlet
shawl for royal robes, and the leafy chaplet of the morning for a
crown. She took the stage with some difficulty, for the unevenness of
the turf impaired the majesty of her tragic stride, and fixing her eyes
on an invisible Thane (who cut his part shamefully, and spoke in the
gruffest of gruff voices) she gave them the dagger scene.
David as the orchestra, had been performing a drum solo on the back of
a chair with two of the corn-cobs Victoria had been building houses
with; but, when Lady Macbeth said, “Give me the daggers,” Christie
plucked the cobs suddenly from his hands, looking so fiercely scornful,
and lowering upon him so wrathfully with her corked brows that he
ejaculated an involuntary, “Bless me!” as he stepped back quite
daunted.
Being in the spirit of her part, Christie closed with the sleep-walking
scene, using the table-cloth again, while a towel composed the tragic
nightcap of her ladyship. This was an imitation, and having a fine
model and being a good mimic, she did well; for the children sat
staring with round eyes, the gentlemen watched the woful face and
gestures intently, and Mrs. Wilkins took a long breath at the end,
exclaiming: “I never did see the beat of that for gastliness! My sister
Clarissy used to walk in her sleep, but she warn’t half so kind of
dreadful.”
“If she had had the murder of a few friends on her conscience, I dare
say she would have been,” said Christie, going in to make herself tidy.
“Well, how do you like her as an actress?” asked Mr. Power of David,
who stood looking, as if he still saw and heard the haunted lady.
“Very much; but better as a woman. I’d no idea she had it in her,”
answered David, in a wonder-stricken tone.
“Plenty of tragedy and comedy in all of us,” began Mr. Power; but David
said hastily:
“Yes, but few of us have passion and imagination enough to act
Shakspeare in that way.”
“Very true: Christie herself could not give a whole character in that
style, and would not think of trying.”
“I think she could; and I’d like to see her try it,” said David, much
impressed by the dramatic ability which Christie’s usual quietude had
most effectually hidden.
He was still thinking about it, when she came out again. Mr. Power
beckoned to her; saying, as she came and stood before him, flushed and
kindled with her efforts:
“Now, you must give me a bit from the ‘Merchant of Venice.’ Portia is a
favorite character of mine, and I want to see if you can do any thing
with it.”
Public-domain text, read in full here on John Shaqi.
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