Bildungsromans; Feminist fiction; Women -- Employment -- Fiction; Young women -- Fiction
No flower in David’s garden throve like his little June rose, for no
wind was allowed to visit her too roughly; and when rain fell without,
she took her daily airing in the green-house, where from her mother’s
arms she soon regarded the gay sight with such sprightly satisfaction
that she seemed a little flower herself dancing on its stem.
She was named Ruth for grandma, but Christie always called her “Little
Heart’s-ease,” or “Pansy,” and those who smiled at first at the
mother’s fancy, came in time to see that there was an unusual fitness
in the name. All the bitterness seemed taken out of Christie’s sorrow
by the soft magic of the child: there was so much to live for now she
spoke no more of dying; and, holding that little hand in hers, it grew
easier to go on along the way that led to David.
A prouder mother never lived; and, as baby waxed in beauty and in
strength, Christie longed for all the world to see her. A sweet,
peculiar, little face she had, sunny and fair; but, under the broad
forehead where the bright hair fell as David’s used to do, there shone
a pair of dark and solemn eyes, so large, so deep, and often so
unchildlike, that her mother wondered where she got them. Even when she
smiled the shadow lingered in these eyes, and when she wept they filled
and overflowed with great, quiet tears like flowers too full of dew.
Christie often said remorsefully:
“My little Pansy! I put my own sorrow into your baby soul, and now it
looks back at me with this strange wistfulness, and these great drops
are the unsubmissive tears I locked up in my heart because I would not
be grateful for the good gift God gave me, even while he took that
other one away. O Baby, forgive your mother; and don’t let her find
that she has given you clouds instead of sunshine.”
This fear helped Christie to keep her own face cheerful, her own heart
tranquil, her own life as sunny, healthful, and hopeful as she wished
her child’s to be. For this reason she took garden and green-house into
her own hands when Bennet gave them up, and, with a stout lad to help
her, did well this part of the work that David bequeathed to her. It
was a pretty sight to see the mother with her year-old daughter out
among the fresh, green things: the little golden head bobbing here and
there like a stray sunbeam; the baby voice telling sweet,
unintelligible stories to bird and bee and butterfly; or the small
creature fast asleep in a basket under a rose-bush, swinging in a
hammock from a tree, or in Bran’s keeping, rosy, vigorous, and sweet
with sun and air, and the wholesome influence of a wise and tender
love.
Public-domain text, read in full here on John Shaqi.
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