Bildungsromans; Feminist fiction; Women -- Employment -- Fiction; Young women -- Fiction
“A very sad thing, Miss Devon,—very sad, indeed; a thing which never
occurred in my establishment before, and never shall again. It appears
that Rachel, whom we all considered a most respectable and worthy girl,
has been quite the reverse. I shudder to think what the consequences of
my taking her without a character (a thing I never do, and was only
tempted by her superior taste as a trimmer) might have been if Miss
Cotton, having suspicions, had not made strict inquiry and confirmed
them.”
“That was a kind and generous act, and Miss Cotton must feel proud of
it,” said Christie, with an indignant recollection of Mr. Fletcher’s
“cautious inquiries” about herself.
“It was perfectly right and proper, Miss Devon; and I thank her for her
care of my interests.” And Mrs. King bowed her acknowledgment of the
service with a perfect castanet accompaniment, whereat Miss Cotton
bridled with malicious complacency.
“Mrs. King, are you sure of this?” said Christie. “Miss Cotton does not
like Rachel because her work is so much praised. May not her jealousy
make her unjust, or her zeal for you mislead her?”
“I thank you for your polite insinuations, miss,” returned the irate
forewoman. “I never make mistakes; but you will find that you have made
a very great one in choosing Rachel for your bosom friend instead of
some one who would be a credit to you. Ask the creature herself if all
I’ve said of her isn’t true. She can’t deny it.”
With the same indefinable misgiving which had held her aloof, Christie
turned to Rachel, lifted up the hidden face with gentle force, and
looked into it imploringly, as she whispered: “Is it true?”
The woful countenance she saw made any other answer needless.
Involuntarily her hands fell away, and she hid her own face, uttering
the one reproach, which, tender and tearful though it was, seemed
harder to be borne than the stern condemnation gone before.
“Oh, Rachel, I so loved and trusted you!”
The grief, affection, and regret that trembled in her voice roused
Rachel from her state of passive endurance and gave her courage to
plead for herself. But it was Christie whom she addressed, Christie
whose pardon she implored, Christie’s sorrowful reproach that she most
keenly felt.
Public-domain text, read in full here on John Shaqi.
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