Horror-stricken by those visions of shame and chastisement, weeping
with all the human tenderness within him, Luc then again saw the
pale phantom of Josine returning from the depths of the darkness and
stretching out arms of entreaty. And then, in his fancy, none but her
remained; it was upon her that the worm-eaten, leprous edifice would
fall. She became, as it were, the one victim, she, the puny little
workgirl with the maimed hand, who was starving and who would roll into
the gutter, a pitiable yet charming creature, in whom seemed to be
embodied all the misery that arose from the accursed wage-system. He
now suffered as she must suffer, and, above all else, in his wild dream
of saving Beauclair there was a craving to save her. If some superhuman
power had made him almighty he would have transformed that town, now
rotted by egotism, into a happy abode of solidarity, in order that she
might be happy. He realised at present that this dream of his was an
old one, that it had always possessed him since the days when he had
lived in one of the poor quarters of Paris, among the obscure heroes
and the dolorous victims of labour. It was a dream into which entered
secret disquietude respecting the future, that future which he dared
not predict, and an idea that some mysterious mission had been confided
to him. And all at once, amidst the confusion in which he still
struggled, it seemed to him that the decisive hour had come. Josine was
starving, Josine was sobbing, and that could be allowed no longer. He
must act, he must at once relieve all the misery and all the suffering,
in order that things so iniquitous might cease.
Public-domain text, read in full here on John Shaqi.
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