Luc readily recognised the knotty little man, of whom he had caught a
glimpse amidst the gloom of the Rue de Brias whilst he was announcing
the inevitable catastrophe, and cursing that corrupt town of Beauclair,
whose crimes had condemned it. Only, as he now scrutinised him in
detail, he was surprised by the loftiness of his brow, over which fell
a dark tangle of hair, and the keenness of his eyes, which glittered
with intelligence, and at times flared up with anger. Most of all,
however, the young fellow was surprised at divining beneath a rugged
exterior and apparent violence a man of contemplative nature, a gentle
dreamer, a simple rustic poet, who, urged on by his absolute ideas of
justice, had finally come to the point of desiring to annihilate the
old and guilty world.
After introducing Luc as an engineer, a friend of his, Jordan asked
Lange with a laugh to show the young man what he called his museum.
'Oh! if it can interest the gentleman, willingly,' said Lange; 'they
are merely things which I fire for amusement's sake--there, all that
pottery under the shed. You may give it all a glance, monsieur, while I
explain my bricks to Monsieur Jordan.'
Luc's astonishment increased. Under the shed he found a number of
faïence figures, vases, pots, and dishes of the strangest shapes and
colours, which, whilst denoting great ignorance on the maker's part,
were yet delightful in their original _naïveté_. The firings had at
times yielded some superb results; much of the enamel displayed a
wondrous richness of tone. But what particularly struck the young man
among the current pottery which Lange prepared for his usual customers
at the markets and fairs, the crockery, the stock-pots, the pitchers
and basins, was the elegance of shape and charm of colour which
showed forth like some florescence of the popular genius. It seemed
indeed as if the potter had derived his talent from his race, that
those creations of his, instinct with the soul of the masses, sprang
naturally from his big fingers, as though in fact he had intuitively
rediscovered the primitive models, so full of practical beauty.
When Lange came back with Jordan, who had ordered of him a few hundred
bricks with which it was intended to try a new electrical furnace, he
received with a smile the congratulations tendered him by Luc, who
marvelled at the gaiety of the faïences, which looked so bright, so
flowery with purple and azure, in the broad sunlight.
'Yes, yes,' said the potter, 'they set a few poppies and cornflowers,
as it were, in people's houses. I've always thought that roofs and
house-fronts ought to be decorated in that style. It would not cost
very much, if the tradesmen would only leave off thieving; and you'd
see, too, how pleasant a town would look--quite like a nosegay set in
greenery. But there's nothing to be done with the dirty _bourgeois_ of
nowadays!'
Public-domain text, read in full here on John Shaqi.
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