In the inevitable and ever fiercer warfare which had begun between La
Crêcherie and the Abyss, and which could only end by the downfall of
one or the other of the works, Luc felt no pity for the Delaveaus. If
he had some esteem for the man on seeing how energetically he worked,
and how bravely he defended his opinions, he despised the woman,
Fernande, though with his contempt there was mingled a kind of terror
on divining in her a terrible force of corruption and destruction. That
evil intrigue which he had detected at La Guerdache, the imperious
subjugation of Boisgelin, that dull-witted coxcomb whose fortune was
melting away in the hands of a devouring creature, filled him with
growing anxiety, as if he foresaw in it some future tragedy. All his
affection went out towards the good-hearted and gentle Suzanne, for
she was the real victim, the only one worthy of his pity. He had been
compelled to break off all intercourse with La Guerdache, and his
only knowledge of what went on there was derived from chance reports.
These indicated, however, that things were going from bad to worse,
Fernande's wild demands increasing, whilst Suzanne only found energy to
remain silent, closing her eyes for fear of some scandal. One day when
Luc met her, holding her little boy Paul by the hand, in one of the
streets of Beauclair, she gave him a long look in which he could read
all her distress, and the friendship that she still retained for him in
spite of the deadly struggle which now parted their lives.
As soon as Luc recognised Fauchard, he put himself on the defensive,
for it was part of his plan to avoid all unnecessary conflicts with
the Abyss. He was willing that men should come from the neighbouring
works to offer their services, but he did not wish it to be said that
he tried to attract them. As a matter of fact, it was the workers of
La Crêcherie who decided whether a new hand should be admitted or not.
Accordingly, as Bonnaire had on various previous occasions spoken to
him of Fauchard, Luc feigned a belief that the latter was trying to
gain admittance from his former comrades. 'Ah! it's you, my friend,'
said he; 'you've come to see if your old mates will make room for you,
eh?'
The other, once more full of doubt, incapable of prompt resolution,
began to stammer disjointed words. All novelty frightened him,
accustomed as he was to blind routine. Those new works, those large,
light, clean halls, filled him with emotion as if they formed part of
some awesome place where it would be impossible for him to live. He
was already eager to return to his black and pain-fraught _inferno_.
Ragu had derided him. What was the good of changing, when nothing was
certain? Besides, he dimly realised, perhaps, that it was too late for
him to make a change.
'No, no, monsieur, not yet,' he stuttered; 'I should like to, but I
don't know. I'll see a little later--I'll consult my wife.'
Public-domain text, read in full here on John Shaqi.
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