The wedding at last took place, when Nise was twenty and Nanet
twenty-three years old. It had long been wished for, foreseen, and
awaited. For seven years not a day had elapsed without a step towards
this _dénouement_ of the long and happy idyll. And as this marriage
of Delaveau's daughter with the brother of Josine, who was now to all
intents and purposes Luc's wife, extinguished all hatred, and sealed a
pact of alliance, there was a desire that it should be made a festival
celebrating forgiveness of the past and the new community's radiant
entry into the future. With this object it was decided that there
should be singing and dancing on the very site of the Abyss, in one of
the halls now erected there as an adjunct to La Crêcherie, which at
present spread over acres and acres of ground, and ever and ever grew.
Luc and Sœurette were the organisers and masters of the ceremonies of
this marriage festival, as well as the witnesses of the bridal pair,
Luc being witness for Nanet, and Sœurette for Nise. They wished to
impart to the festival all the splendour of a triumph, to endow it
with the gaiety of hope's fulfilment, to make it like the very victory
of the city of work and peace, now founded and prosperous. It is good
that communities should indulge in great rejoicings; public life needs
frequent days of beauty, joy, and exultation. Thus Luc and Sœurette
chose the great foundry hall, where so many of the monster-like
hammers, the gigantic rolling bridges, the movable cranes of prodigious
strength were gathered together. The new buildings, all bricks and
steelwork, were clean and healthy, and full of joyous brightness with
their large windows through which streamed both air and sunlight.
And the plant was left in position, especially as, for a festival of
triumphant work, one could not have devised any better decorations
than were provided by those gigantic appliances, whose powerful forms
were instinct with a sovereign beauty compounded of logic, strength,
and certainty. However, they were decorated with foliage and crowned
with flowers, even as were altars in ancient times. The brick walls,
too, were ornamented with garlands of verdure, and the very pavement
was strewn with roses and broom flowers. The whole seemed like the
blossoming of man's effort to attain happiness, an effort which had
ended by flowering there, scattering perfume around the toil of the
worker, a toil once unjust and hard, but now attractive and leading
solely to happiness.
Public-domain text, read in full here on John Shaqi.
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