'And little Nanet, do you remember when we played at hide-and-seek, and
you ended by finding me among the rosebushes, so well hidden there that
it was enough to make me die of laughing?'
'Little Nise, little Nise, we'll love each other as we played, very
heartily, with all, all the strength of health and gaiety.'
'Little Nanet, little Nanet, we played so much, and we will love one
another so much, that we shall love yet again in our children, and play
again even with our children's children.'
And they embraced, and laughed, and played together, raised to the
highest felicity. The throng, filled with enthusiasm by the sight,
traversed by a wave of sonorous gaiety, clapped hands and acclaimed
love, almighty love, which without cessation creates more and more
life and happiness. Then the singing began, chorus singing, in which
the aged sang their well-earned rest, the men the triumph of their
toil, the women the helpful sweetness of their love, the children the
confident cheerfulness of their hopes. Afterwards came the dances,
with a great final round and chain, which brought all that brotherly
little people hand in hand, stretching out and revolving for hours to
the strains of gay music, through the halls of the huge works. They
had formerly toiled so much and suffered so much in the dirty, grimy,
unhealthy inferno which had stood there, and which the flames had
swept away. The sunshine, the air, and life, now entered freely. And
the marriage _ronde_ still came and went around the huge appliances,
the colossal presses, the formidable steam hammers, the gigantic
planing-machines, which wore a smiling aspect beneath their adornments
of flowers and foliage, whilst the young married couple led the dance,
as if in them rested the soul of all those things, that morrow of
increase in equity and fraternity, which the victory of their long
affection had ensured.
Public-domain text, read in full here on John Shaqi.
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