Working With the Working WomanParker, Cornelia Stratton
History
Working With the Working Woman
Parker, Cornelia Stratton
United States -- Social conditions; Women -- Employment -- United States; Working class -- United States
“None in a dress factory, but ...” and I regaled him with the vast
amount of experience in other lines that was mine, adding that I had
done a good deal of “private dressmaking” off and on, and also
assuring him, almost tremblingly, I did so want to land a job—that I
was the most willing of workers.
“What you expect to get?”
“What will you pay me?”
“No, I'm asking you. What do you expect to get?”
“Fourteen dollars.”
“All right, go on in.”
If the room where the boss had received me could have been the work of
a twelve-year-old, the rest of the factory must have been designed and
executed by a boy of eight, or a lame, halt, and blind carpenter just
tottering to his grave. There was not a straight shelf. There was not
a straight partition. Boards of various woods and sizes had been used
and nothing had ever been painted. Such doors as existed had odd ways
of opening and closing. The whole place looked as if it had cost about
seven dollars and twenty-nine cents to throw together. But, ah! the
white and pale blue of the show rooms!
* * * * *
The dress factory job was like another world compared with candy,
brass, and the laundry. In each of those places I had worked on one
floor of a big plant, doing one subdivided piece of labor among
equally low-paid workers busy at the same sort of job as myself. Of
what went on in the processes before and after the work we did, I knew
and saw nothing. We packed finished chocolates; we punched slots in
already-made lamp cones; we ironed already washed, starched, and
dampened clothes. Such work as we did took no particular skill, though
a certain improvement in speed and quality of work came with practice.
One's eyes could wander now and then, one's thoughts could wander
often, and conversation with one's neighbors was always possible.
Behold the dress factory, a little complete world of its own on one
small floor where every process of manufacture, and all of it skilled
work, could be viewed from any spot. Not quite every process—the
designer had a room of her own up front nearer where the woodwork was
white.
“Ready-made clothing!” It sounds so simple—just like that. Mrs. Fine
Lady saunters into a shop, puts up her lorgnette, and lisps, “I'd like
to see something in a satin afternoon dress.” A plump blonde in
tight-fitting black with a marcel wave trips over to mirrored doors,
slides one back, takes a dress off its hanger—and there you are! “So
much simpler than bothering with a dressmaker.”
Public-domain text, read in full here on John Shaqi.
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