Working With the Working WomanParker, Cornelia Stratton
History
Working With the Working Woman
Parker, Cornelia Stratton
United States -- Social conditions; Women -- Employment -- United States; Working class -- United States
But whatever happened to get that dress to the place where the blonde
could sell it? “Ready-made,” indeed! There has to be a start some
place before there is any “made” to it. It was at that point in our
dress factory when the French designer first got a notion into her
head—she who waved her arms and gesticulated and flew into
French-English rages just the way they do on the stage. “_Mon Dieu!
Mon Dieu!_”—gray-haired Madame would gasp at our staid and portly Mr.
Rogers. Ada could say “My Gawd!” through her Russian nose to him and
it had nothing like the same wilting effect.
Ready-made—yes, ready-made. But first Madame got her notion, and then
she and her helpers concocted the dress itself. A finished article, it
hung inside the wire inclosure where the nice young cutter kept
himself and his long high table. The cutter took a look at the
finished garment hanging on the side of his cage, measured a bit with
his yardstick, and then proceeded to cut the pattern out of paper.
Whereupon he laid flat yards and yards of silks and satins on his
table and with an electric cutter sliced out his parts. One
mistake—one slice off the line—_Mon Dieu!_ it's too terrible to
think of! All these pieces had to be sorted according to sizes and
colors, and tied and labeled. (Wanted—bright and useful girl right
here.)
Next came the sewing machine operators (electric power)—a long narrow
table, nine machines at a side, but not more than fourteen operators
were employed—thirteen girls and one lone young man. They said that
on former piece rates this man used to make from ninety dollars to one
hundred dollars a week. The operators were all well paid, especially
by candy, brass, and laundry standards, but they were a skilled lot. A
very fine-looking lot too—some of the nicest-looking girls I've seen
in New York. Everyone had a certain style and assurance. It was good
for the eyes to look on them after the laundry thirteen-dollar-a-week
type.
When the first operators had done their part the dresses were handed
over to the drapers. There were two drapers; they were getting around
fifty dollars a week before the hard times. One of the drapers was as
attractive a girl as I ever saw any place—bobbed hair, deep-set eyes,
a Russian Jewess with features which made her look more like an
Italian. She spoke English with hardly any accent. She dressed very
quietly and in excellent taste. All day long the two draped dresses on
forms—ever pinning and pinning. The drapers turned the dresses over
to certain operators, who finished all machine sewing. The next work
fell to the finishers.
Public-domain text, read in full here on John Shaqi.
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