* Putting something in the public domain in the United States offers
some freedom from anxiety, but distributing it throughout the world
on a network is another matter, even if one has put it in the public
domain in the United States. Re foreign laws, very frequently a
work can be in the public domain in the United States but protected
in other countries. Thus, one must consider all of the places a
work may reach, lest one unwittingly become liable to being faced
with a suit for copyright infringement, or at least a letter
demanding discussion of what one is doing.
PETERS reviewed copyright law in the United States. The U.S.
Constitution effectively states that Congress has the power to enact
copyright laws for two purposes: 1) to encourage the creation and
dissemination of intellectual works for the good of society as a whole;
and, significantly, 2) to give creators and those who package and
disseminate materials the economic rewards that are due them.
Congress strives to strike a balance, which at times can become an
emotional issue. The United States has never accepted the notion of the
natural right of an author so much as it has accepted the notion of the
public good and the desirability of incentives to promote it. This state
of affairs, however, has created strains on the international level and
is the reason for several of the differences in the laws that we have.
Today the United States protects almost every kind of work that can be
called an expression of an author. The standard for gaining copyright
protection is simply originality. This is a low standard and means that
a work is not copied from something else, as well as shows a certain
minimal amount of authorship. One can also acquire copyright protection
for making a new version of preexisting material, provided it manifests
some spark of creativity.
Public-domain text, read in full here on John Shaqi.
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