In regard to real-world standards, BATTIN argued the need to redefine the concept of archive and to begin to think in terms of life cycles. In the past, the naive assumption that paper would last forever produced a cavalier attitude toward life cycles. The transient nature of the electronic media has compelled people to recognize and accept upfront the concept of life cycles in place of permanency. Digital standards have to be developed and set in a cooperative context to ensure efficient exchange of information. Moreover, during this transition period, greater flexibility concerning how concepts such as backup copies and archival copies in the CXP are defined is necessary, or the opportunity to move forward will be lost. In terms of cooperation, particularly in the university setting, BATTIN also argued the need to avoid going off in a hundred different directions. The CPA has catalyzed a small group of universities called the La Guardia Eight--because La Guardia Airport is where meetings take place--Harvard, Yale, Cornell, Princeton, Penn State, Tennessee, Stanford, and USC, to develop a digital preservation consortium to look at all these issues and develop de facto standards as we move along, instead of waiting for something that is officially blessed. Continuing to apply analog values and definitions of standards to the digital environment, BATTIN said, will effectively lead to forfeiture of the benefits of digital technology to research and scholarship. Under the second rubric, the politics of reproduction, BATTIN reiterated an oft-made argument concerning the electronic library, namely, that it is more difficult to transform than to create, and nowhere is that belief expressed more dramatically than in the conversion of brittle books to new media. Preserving information published in electronic media involves making sure the information remains accessible and that digital information is not lost through reproduction. In the analog world of photocopies and microfilm, the issue of fidelity to the original becomes paramount, as do issues of "Whose fidelity?" and "Whose original?"