World's End: A Story in Three BooksJefferies, Richard
General
World's End: A Story in Three Books
Jefferies, Richard
England -- Fiction; Inheritance and succession -- Fiction; Murder -- Fiction
Till that moment Violet had not the least idea that Jenkins, who had
carried her in his arms many a time when she was a child, and was more
like an old friend than a servant, was under any suspicion. She rose up
at once and went downstairs, the first time since the wedding-day.
Aymer and Miss Merton tried to stay her.
“Hush!” she said; “it is my duty.”
She was obliged to pass the fatal window; she burst into tears, but
hurried on. Aymer went with her, and assisted her along the very same
route that Sally had come—over ditches and through the gaps in the
hedges. Violet reached the Shepherd’s Bush bareheaded, panting.
Involuntarily, the crowd hanging about, one and all, boors that they
were, took off their hats. She knocked at the door where the jury sat
astounded, they admitted her. Strung up to the highest pitch she burst
upon them, cowed them, overcame them.
“He is innocent!” she cried, in the full tones of her beautiful voice.
“He is innocent; let him go free! He served the dead for fifty years;
they never quarrelled; they were, like old friends, not master and man.
I am the daughter of the dead. I tell you with my whole heart and soul
that that man _must_ be innocent; if you injure him, it is you who are
murderers!”
She turned and left the room; many started forward to help her, but she
clung to Aymer’s arm and he got her home as quickly as he might.
It was a noble thing. It was a truly great spectacle to see that young
girl standing there and defending the poor fellow upon whom cruel
suspicion had fallen, notwithstanding her own irreparable loss. Its
effect upon the jury was immediate and irremovable. They were silent
for a time. Then one after another found twenty loopholes of doubt
where before they had been so positive. After all, why should not the
gardener’s story be true? It was a simple, artless tale; not one that
would be concocted.
One juryman, who had served on the jury at the Quarter Sessions,
remembered a great counsel in some important case laying it down as an
axiom, that if a man made up a story to defend himself it was always
too complete, too full of detail. Said the juryman: “If Jenkins had
made up his story, he would have told us what the stranger wore, what
colour hat, what sort of trousers, and every particular. There was a
total absence of motive. Jenkins was a quiet, inoffensive man, whom
they had all known for years and years. Very likely, indeed, for
strangers to come to The Place on that day, the fame of which had been
talked of everywhere. Perhaps the fellow wished to steal the plate on
the breakfast table, and was surprised to find the invalid there.
Hearing the gardener coming, he would make off at once, which accounted
for the fact that not a single thing was stolen. Why should they
condemn one of their own parish on such trivial evidence?” This was the
right key, the _local_ one.
Public-domain text, read in full here on John Shaqi.
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