World's End: A Story in Three BooksJefferies, Richard
General
World's End: A Story in Three Books
Jefferies, Richard
England -- Fiction; Inheritance and succession -- Fiction; Murder -- Fiction
In the brief time that he had sat beside Mr Broughton in these Courts,
Aymer conceived an intense loathing for the whole system. After all,
what was the law, upon which so much was based, which over-rode equity,
justice, truth, and even conscience? What was this great fetish to
which every one bowed the knee—from the distinguished and learned judge
downwards, the judge who, in point of fact, admitted and regretted that
he decided against his conscience? It was principally precedent.
Because a man had once been hung for a murder committed in a certain
manner, men must always be hung for murder. Because a judge had once
given a verdict which, under the circumstances, was as _near the right_
as he dared to go (and our judges do this), then every one who came
after must be dealt with by this immovable standard.
The very passage of time itself—the changes introduced into society,
custom, and modes of thought in the course of the years—was in itself a
strong and all-sufficient argument against this fetish precedent.
That was not all. Aymer in his position—to a certain extent
confidential—had a glimpse behind the scenes. Quick of observation and
comprehension, he saw that even this game of argument, and precedent,
and quibble was not conducted honestly. He had heard and read so much
of the freedom, the liberty of England, the safety of the subject, the
equal justice meted out to all, that he was literally confounded when
the bare facts stared him in the face.
There was jobbery, corruption under the whole of it; there was class
prejudice operating in the minds of those on the judgment-seat; there
were a thousand-and-one small, invisible strings, which palled this way
and that behind the scenes. It was, after all, a species of Punch and
Judy show, moved by wires, and learnt by rote by the exhibitor.
It sickened and wearied him. Sitting on those hard benches, he longed
for liberty—longed to escape from the depressing influence of the
atmosphere of chicanery in which he was plunged. The very sight of
those hideous faces which are sure to congregate in the criminal
justice-room, seemed to weaken the fresh young spirit within him.
Yet, as said before, Mr Broughton used him kindly. He found Aymer
lodgings cheap and fairly comfortable. Aymer had often desired to
escape from his solitary room at Wick Farm; but even that cold, lonely
apartment was better than this. These four walls had no
association—they were walls only—partly concealed with a few common
prints. One of these, over the mantelpiece, looked down upon him as he
sat by his fire in the evening. He saw it night after night, till at
last that engraving seemed to almost live, and he watched to see when
the labour of the prisoner should be completed. For it was the picture
of the prisoner sitting in his cell upon a stone bench, painfully
chiselling out upon the stone wall—just where a single beam of sunlight
fell—the figure of Christ upon the Cross, with the rude tool of a
common iron nail.
Public-domain text, read in full here on John Shaqi.
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