World's End: A Story in Three BooksJefferies, Richard
General
World's End: A Story in Three Books
Jefferies, Richard
England -- Fiction; Inheritance and succession -- Fiction; Murder -- Fiction
He had also a commission to purchase for her a few pictures, with which
to decorate the walls of a new wing she was adding to The Towers. She
had a curious dislike to the old family mansion, and yet wished to live
in the neighbourhood from a sense of duty. She held it as a doctrine
that the owners of large estates should pass a part of their time, at
all events, at home—there were so many ways in which they could do
good, not only by charity, but by encouraging local industries.
The new wing was being built to enable her to reside at home, and yet
gratify the innate dislike to The Towers which she cherished. Aymer’s
artistic taste was so marked that she felt confident he would select
her suitable pictures. There were plenty of old paintings in the
galleries of The Towers which could have been spared for the new wing,
but she preferred to be surrounded with fresh objects, even down to the
very footstool.
The day for the assembling of the great family council came nearer and
nearer, and the letters from Anthony Baskelette more frequent. The
daily papers, which Aymer saw now and read with the closest attention,
began to devote a space to notes upon the preparations, and some sent
specials to Stirmingham in advance, who described the city in a series
of sketches, which excited Aymer’s curiosity to the highest pitch.
News came at last that the claimants were assembling at Imola; then the
date of the sailing of the _Lucca_ came and passed. They knew that she
must sail upon that day, because her owners were under contract to
deliver the bullion entrusted to them on a fixed date in London, where
its approaching arrival had already had an appreciable effect upon the
money-market. Seven hundred thousand pounds in coin, in gold bars and
Mexican dollars, is a sum which cannot be transferred from one country
to another at once, without causing some fluctuations upon the
Exchange. The owners of the _Lucca_ were under a bond by which they
forfeited a heavy sum if the vessel did not start to time. Therefore
there was no doubt that the _Lucca_ had sailed, though no announcement
had reached London of the event, for it happened that the Atlantic
cables were out of order, and there were not then such a number of
cables as at present. Still, no one doubted for an instant that she was
upon the seas; and one well-known illustrated paper announced that a
special artist of theirs was on board, who, the moment he landed, would
present the public with sketches of the incidents of the voyage,
portraits of the claimants, and other subjects of interest. It was also
generally understood that the heir, in his yacht, had started from New
York to accompany the steamer.
What was Aymer’s surprise and regret, upon opening the paper on the
second morning after, to see the following telegram, one of the cables
having got into partial working order again:—
Public-domain text, read in full here on John Shaqi.
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