One evening, after a more than ordinarily restless day had been spent, Agnes suddenly rose up, and retired to her private room. This was usually her custom before going out alone into the park, but on this occasion, Violet watching her, saw to her intense surprise that, instead of leaving the house, she unlocked a door which led into the old mansion, and entered the long deserted apartments of The Towers proper. Such a step would have been under any ordinary circumstances nothing to take notice of, but Violet had gradually worked herself up into a state of alarm, and this unusual proceeding created more surmises in her mind even than the lonely walks in the darkness. She slipped out of the house thinking to watch Agnes’ progress through The Towers by the light she carried, which would show which rooms she went into. It fell out exactly as she had supposed—she saw the light of the little lamp flit about from window to window and along the corridors, now disappearing from sight entirely, and now suddenly flickering out again, till at last it stopped in what Violet well knew was the Blue Room. This room was so called from the colour employed in decorating the walls. They were painted instead of being papered, much in the same style as the houses at Pompeii, only in larger panels, and the ground colour was blue. From the lawn in front of the house Violet could just see Agnes seated at a table in this room, and before her was a small desk—a desk she had often noticed in that room, thinking how incongruous a plain gentleman’s writing-desk, with brass handles, looked amidst the elegant furniture and decorations. Out of this desk Agnes was taking what, at that distance, Violet could only conjecture were letters, and burning them one by one in the flame of the lamp. Presently she paused, and Violet saw her kiss something which looked like a curl of chestnut hair. Then not fancying her self-imposed task of watching her benefactress, and convinced that there was no danger, Violet stole away. Agnes was, in fact, destroying her memorials of Walter De Warren, which she had kept in his own desk in the room in which she had last seen him alive. She had determined to cast aside all remembrance of him; his memory should not embarrass her in the course she would pursue. Freed from the slightest control by him, she thought that she would be the better able to choose between the earthly and the immortal destinies offered to her. Yet she still lingered, still hesitated. She could not say to Marese “I will,” nor could she say “I will not.” She permitted his money to be used in freeing her estate of encumbrance, and this gave him a moral claim upon her hand. After that was done, it seemed to her that the spirit who visited her at “The Pot” visibly frowned, and the great eyes were full of reproach.