World's End: A Story in Three BooksJefferies, Richard
General
World's End: A Story in Three Books
Jefferies, Richard
England -- Fiction; Inheritance and succession -- Fiction; Murder -- Fiction
He was too much excited to sleep. Despite of all these drawbacks—the
disappearance of the deed, and the absence of the marriage
certificate—there was no reasonable doubt that Violet was the heiress
of the Stirmingham estates. The difficulties that were in the way
appeared to him as nothing; he would force his way through them. She
should have her rights—and then! He would search every church in London
till he did find the register of Arthur Sibbold’s marriage. It must be
in existence somewhere. If it was in existence he would find it.
Towards two o’clock in the morning he fell asleep, and, as a result,
did not wake till ten next day. Hurrying to his daily task, he was met
with frowns and curses for neglect, and venturing to remonstrate, was
discharged upon the spot.
Here seemed an end at once to all his golden dreams. He walked back
into the City, and passing along Fleet Street, was stopped for a moment
by a crowd of people staring into the window of a print and bookshop,
and talking excitedly. A momentary curiosity led him to press through
the crowd, till he could obtain a view of the window. There he
saw—wonder of wonders—one of his own sketches, an illustration from his
book, greatly enlarged, and printed in colours. It was this that had
attracted the crowd. The humour and yet the pathos of the picture—the
touch of Nature which makes the whole world kin—had gone straight to
their hearts. On every side he heard the question, “Whose is it?”—“Who
drew it?”—“What’s the artist’s name?” Then the title of the book was
repeated, and “Who’s it by?”—“Who wrote it?”—“I’ll get a copy! Third
Edition already—it must be good.”
Gratified, wonder-stricken, proud, and yet bewildered, Aymer at last
got into the shop and made inquiries. Then he learnt that the publisher
had stolen a march upon him. They had never sent him the proofs; they
had in fact thought very little of the book, till one day it happened
(it happened again) a famous artist came into the office, and chanced
to turn over a leaf of the MS, which was lying where Aymer had left it,
on the publisher’s wide desk. This man had a world-wide reputation, and
feared no competitor; he could therefore do justice to others. He was
greatly struck with the sketches.
“This man will make hid fortune,” he said. “Why on earth do you let the
book lie here mouldering?”
The publisher said nothing, but next day the manuscript was put in
hand, hurried out, and well advertised. The first and second edition
sold out in a week, and Aymer heard nothing of it till accident led him
into the crowd round the shop window in Fleet Street.
Public-domain text, read in full here on John Shaqi.
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