World's End: A Story in Three BooksJefferies, Richard
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World's End: A Story in Three Books
Jefferies, Richard
England -- Fiction; Inheritance and succession -- Fiction; Murder -- Fiction
He hesitated. Prudence told him to go away; but talk of prudence to a
man who has just escaped into liberty! He walked in; the performance
was nearly over, but he paid and went into the pit. “After all,” he
tried to persuade himself, “there’s more safety in a crowd. When I go
out, I can take a cab and drive to an hotel and say I’ve lost my train
through the theatre; that will account for my having no luggage.”
As he struggled in among the crowd, he glanced up at the boxes; his
pushing caused a little movement, and people in the boxes looked down.
He caught an eye watching him—he turned pale. It was Theodore, who rose
at once and left his box. Poor Fulk gasped for breath; he pushed to get
out. The audience was annoyed at the movement and disturbance—some
gentlemen held him down—the notes of the singer’s voice floated over,
musically sweet. Poor Fulk!
Chapter Twelve.
Science, as illustrated by the printing press, the telegraph, the
railway, is a double-edged sword. At the same moment that it puts an
enormous power in the hands of the good man, it also offers an equal
advantage to the evil disposed.
Theodore Marese was a man of science; and he was a typical man of
science—hard, clear, bright, pitiless as the dissecting knife.
Unfortunately, he applied his knowledge and his undoubted ability to
the worst of uses. One pursuit to which he had devoted special effort,
and over which he had spent many thoughtful hours, was the problem how
to dispose of a dead human body. There was an old superstitious saying
that the earth will not hide blood—it will out. Theodore was of a
different opinion. Science had conquered everything: science could
conquer this. Yet it certainly was a difficult task. Did you ever
contemplate the difficulty? Suppose you slay your enemy—slay him
secretly, effectually: now, what next? Try to bury it: the loose earth
speaks for itself. Exhalations will rise. Quicklime it, and hasten its
decomposition: there will remain, perhaps, only a brass button, or some
coin left in the pocket. Throw it into the water: it will rise to the
surface. Burn it, and all the city will know from the odour. The more
you think over it, the more difficult it will appear. But Theodore had
found the solution.
Public-domain text, read in full here on John Shaqi.
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