World's End: A Story in Three BooksJefferies, Richard
General
World's End: A Story in Three Books
Jefferies, Richard
England -- Fiction; Inheritance and succession -- Fiction; Murder -- Fiction
The one difficulty had been to get the several hundred people there.
They had all in readiness for months, watching. They had it ready while
the family council sat, and had deliberated about knocking the last
wedge out at that time, but on reflection it was doubtful whether the
Americans had much coin about them. Finally, one shrewd sewer-rat hit
upon the idea of engaging Mademoiselle F—o to come down and sing. They
paid her one hundred pounds in advance, with travelling expenses to
come afterwards; and it would have been a good speculation in itself,
for they took three hundred and fifty pounds, including the boxes.
These boxes were a worry. They could not be let down, they were not
built on wooden pillars; however, it was easy to shut one of the
folding-doors at the entrance, and let the bolt drop into the
stone—easy to raise a cry of “Fire!”—easy to imagine the crush at the
door.
Easy also for me to enter into a catalogue of broken limbs, ribs,
fractures, contusions, gashes, etc, etc—I shall leave it to the
surgical imagination. But when hundreds of people, closely packed, are
suddenly precipitated eighteen feet, amid splintering planks and
crushing beams, it is probable that the hospitals will be full. This
was the third scene preparing underneath.
Just as Fulk felt Theodore close to him—just as F—o uttered her
sweetest trill—just as Violet was in the height of her enjoyment—the
grey rat gave his last nibble—the last wedge was knocked away; and the
floor went down. Poor Violet saw it all. She saw fourteen hundred hands
suddenly thrown up into the air; she heard one awful cry, she felt the
box tremble and vibrate, and the whole audience sank—sank as into one
great pit. She turned deadly pale; she clung with both hands to the
balustrade; but she did not faint. It was all too quick.
Fulk was in a stooping position, struggling to escape. That saved him.
He fell with his body across a joist, which with a few others had not
been sawn—some few had to be left to keep the floor apparently safe.
His arms flew out in front, his legs struggling behind; he was poised
on the centre of his body. At any other time one might have laughed. In
that terrible moment the instinctive love of life endowed him with
unusual strength. He knew not how he did it, but he got astride of the
joist; he worked himself along it; he reached one of the slender iron
columns or shafts which supported the boxes and gallery. He who
mistrusted his power to climb a rope, in that hour of horrors went up
that shaft with ease, assisted by the scroll-work on it. He got into
the very box where Violet sat, with straining eyes gazing into that
bottomless pit. Exhausted, he fell on his knees beside her. Exhausted,
he heard the cry of “Fire!”—heard the rush to the doors. He remained on
his knees, gazing, like her, down into the pit.
Public-domain text, read in full here on John Shaqi.
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