World's End: A Story in Three BooksJefferies, Richard
General
World's End: A Story in Three Books
Jefferies, Richard
England -- Fiction; Inheritance and succession -- Fiction; Murder -- Fiction
Though the owner of broad acres and lovely woodlands, he delighted in
the society of tinkers, and was himself a clever hand at mending pots
and kettles. He had such a fancy for tinkering that he actually
promenaded the country for miles in company with gipsies, calling at
the farmhouses—on his own tenants—asking for things to mend.
He was also absurdly fond of dogs, and filled the house with
them—especially the large mastiff breed, of which he was particularly
enraptured, till no one could approach it, and his poor wife was
frightened out of her senses. Tinkering, fondling these dogs, and
playing the tin whistle occupied his time. His money he scattered far
and wide among the gipsies, pedlars, and tinkers, and gave enormous
sums for the pure-bred mastiffs.
The countenance of the man expressed the most intense melancholy—that
hopeless incurable vacancy of look which is seen on the features of
some monkeys while in captivity. His face, and the shape of his head,
in fact, much resembled a monkey’s; and the ears protruding from the
side of the skull, very large and ill-formed, completed the
resemblance. He had a favourite resort in one of the woods surrounding
the family mansion. Through this wood there ran a stream, and a tree
had fallen across it, making a natural bridge.
On this tree, over the stream, he would perch himself astride, his feet
nearly in the water, and play for hours upon the tin whistle, while his
troop of dogs disported in the woods around. He had a wonderful
instinct of music, and really played in a marvellous manner upon this
simple instrument, exhibiting skill even in the choice of the
whistle—for it is difficult to find one that has a mellow tone.
The spectacle of this being, sitting on the tree trunk in the gloom of
the woods, his long legs dangling down to the water, with his
melancholy baboon face, performing extraordinary fantasias upon a tin
whistle, could hardly be matched.
But he was as cunning as he was mad. Probably from his companions, the
gipsies, he had learnt that his ancestors had all been confined in the
madhouse. He had sufficient sense to foresee that the moment a son was
born to his wife he would himself be confined. But, with the inherent
insanity of his nature, he thought that by killing the wife or the son
he should escape this danger.
So soon as ever the wretched wife’s confinement approached he slew
her—and slew her in true fantastic fashion. With his tinker’s hammer he
drove a nail into her head as she slept. He fled from the place, but
was captured; and that was the last time Odo Lechester used his
tinker’s hammer for some time to come. The dreadful deed, the sight of
blood, had developed in him the homicidal tendency—he tried hard to
stab his captors. In Aurelian’s asylum at Stirmingham he desperately
wounded a warder.
This was the being Theodore selected for his purpose. The man had made
many violent attempts to escape—he was like a wild beast in a cage,
pacing to and fro.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account