World's End: A Story in Three BooksJefferies, Richard
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World's End: A Story in Three Books
Jefferies, Richard
England -- Fiction; Inheritance and succession -- Fiction; Murder -- Fiction
This was perhaps childish. He had his faults; he was extremely proud
and oversensitive. The sudden transition from the harsh and rude life
at World’s End, among the weather-beaten and rough-speaking rustics, to
this new world of inexpressible beauty, overcame him. Hastily he
brushed those tears away, and recovered himself; but not so quickly as
to escape the observation of two sad grey eyes. Inadvertently, as he
stood before the statue, he had interfered with the line of sight of a
lady who was engaged in sketching. She had paused, and noticing his
rapt attention, made no sign that he had interrupted her work. Thus she
witnessed his weakness; and being a person of a thoughtful, perhaps too
thoughtful, turn, she wondered at and pondered over it.
Day by day Aymer, while his funds lasted and he could stay in Florence,
came and stood before the statue, lingering for hours in its close
vicinity; so that the artist, as she sketched, had the fullest
opportunity of noting the strong contrast between his delicate,
intellectual features and slight, tall frame, and the coarse dress he
wore. Growing interested, she instructed her attendants to make
inquiries, and they easily elicited the name of the stranger, and the
place from which he had come.
By a curious coincidence, it so happened that the lady-artist herself
was the owner of a family mansion, and moderately large estate but a
few miles from Aymer’s home. He was, in fact, perfectly familiar with
her name, which was a household word at World’s End, where
distinguished names were few; but moving in his low sphere he had never
seen her face.
Lady Lechester—Agnes Lechester to her friends—was “lord of herself,
that heritage of woe,” and being of an artistic turn of mind, had spent
much of her time upon the Continent; another reason being certain
unhappy matters connected with the history of the family mansion. She
was much struck with the singularity of a mere lad of low and poor
estate thus coming to Florence, obviously from pure love of the
beautiful. Nothing approaching to affection sprang up in her mind; it
must be distinctly understood that her interest was of a different
character entirely. But from that moment Aymer unconsciously became the
subject of a certain amount of surveillance. He deemed himself despised
and unnoticed by all; but there was one who had not forgotten him.
Those happy days in lovely Florence passed like a dream. Even by living
on a few fruits and a little bread alone, the scanty stock of money he
had carried with him could not be made to last for ever. Barely a month
of pure, unalloyed pleasure—pure in every sense of the term—and poor
Aymer, who knew not how to get employment in a foreign city, was
obliged to return, and Agnes Lechester saw him no more standing in rapt
admiration before the famous statue.
Public-domain text, read in full here on John Shaqi.
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