World's End: A Story in Three BooksJefferies, Richard
General
World's End: A Story in Three Books
Jefferies, Richard
England -- Fiction; Inheritance and succession -- Fiction; Murder -- Fiction
Aymer listened to her as she played. He sat by the invalid under the
shadow of the sycamore tree near the open window, where he could see
her sitting at the piano, pouring forth the music of Mendelssohn in
that peculiar monotonous cadence which marks the master’s works and
fills the mind with a pleasant melancholy. Now and then her head
turned, a glance met his, and then the long eyelashes drooped again.
Presently out she would come with a rush, making old Dando (short for
Dandolo) bound and bark with delight as he raced her round the green,
tearing her flowing dress with his teeth, and whisking away when she
tried to catch him.
The grace of her motions, the suppleness of her lithe form, filled
Aymer’s heart with a fierce desire to clasp her waist and devour her
lips, while the invalid laughed aloud at the heavy bounds of his dog.
The old man saw clearly what was going forward, yet he did not put
forth his hand to stay it. They were a happy trio that summer and
autumn at World’s End.
Chapter Three.
The summer passed away, as all things do, the winter, and the spring
blossomed afresh, and still the course of true love ran smooth with
Aymer and Violet.
The winter had been only one degree less pleasant than the summer.
Violet had a beautiful voice; Aymer’s was not nearly so fine: still, it
was fairly good, and scarcely an evening passed without duets and solos
on the pianoforte, while old Waldron, animated for the time beyond his
wont, accompanied them upon the violin. He had an instrument which,
next to his daughter and his dog Dando, he valued above all things. It
was by Guarnerius, and he handled it with more care than a mother does
her infant, expatiating upon the quality of the wood, the sycamore and
pine, the beauty of the varnish, the peculiar, inimitable curl of the
scroll, which had genius in its very twist.
Aymer was a ready listener. In the first place, he had grown to look
upon Waldron in the light that he would have regarded an affectionate
and beneficent father. Then he was, above all things, anxious to please
Violet, and he knew that she adored the Silver Fleece, as she called
him, in laughing allusion to his odd Christian name, Jason, and to his
grey hairs. And, lastly, he really did feel a curiosity and a desire to
learn.
Sometimes Aymer gave Violet lessons in drawing, and she repaid him with
lessons in French and music, being proficient in both.
After a while Waldron discovered that this boy, without means or
friends, had made himself acquainted with the classics, and had even
journeyed as a pilgrim to the shrines of ancient art at Florence.
Public-domain text, read in full here on John Shaqi.
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