The presence of a German girl in the house seemed to act as a blight
upon all domestic happiness. It was the cook who first “gave notice.”
Elsa had never so much as set eyes upon that cross-eyed woman
below-stairs who had prepared the family food since Wickham had sat
in a high chair, with a bib round his neck. But Mary, in a private
interview with Lady Brand, stormy in its character, as Elsa could hear
through the folding-doors, vowed that she would not live in the same
house with “one of those damned Germings.”
Lady Brand’s tearful protestations that Elsa was no longer German,
being “Mr. Wickham’s wife,” and that she had repented sincerely of
all the wrong done by the country in which she had unfortunately been
born, did not weaken the resolution of Mary Grubb, whose patriotism
had always been “above suspicion,” “which,” as she said, “I hope to
remain so.” She went next morning, after a great noise of breathing
and the descent of tin boxes, while Lady Brand and Ethel looked with
reproachful eyes at Elsa as the cause of this irreparable blow.
The parlour-maid followed in a week’s time, on the advice of her young
man, who had worked in a canteen of the Y. M. C. A. at Boulogne and
knew all about German spies.
It was very awkward for Lady Brand, who assumed an expression of
Christian martyrdom, and told Wickham that his rash act was bearing sad
fruit, a mixed metaphor which increased his anger, as he told me, to a
ridiculous degree.
He could see that Elsa was very miserable. Many times she wept when
alone with him, and begged him to take her away to a little home of
their own, even if it were only one room in the poorest neighbourhood.
But Wickham was almost penniless, and begged her to be patient a
little longer, until he had saved enough to fulfil their hope. There
I think he was unwise. It would have been better for him to borrow
money--he had good friends--rather than keep his wife in such a hostile
atmosphere. She was weak and ill. He was alarmed at her increasing
weakness. Once she fainted in his arms, and even to go upstairs to
their rooms at the top of the house tired her so much that afterwards
she would lie back in a chair, with her eyes closed, looking very
white and worn. She tried to hide her ill-health from her husband, and
when they were alone together she seemed gay and happy, and would have
deceived him but for those fits of weeping at the unkindness of his
mother and sister, and those sudden attacks of “tiredness” when all
physical strength departed from her.
Her love for him seemed to grow with the weakness of her body. She
could not bear him to leave her alone for any length of time, and while
he was writing, sat near him, so that she might have her head against
his shoulder, or touch his hand, or kiss it. It was not conducive to
easy writing, or the invention of plots.
Public-domain text, read in full here on John Shaqi.
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