Woven with the Ship: A Novel of 1865: Together with certain other veracious tales of various sortsBrady, Cyrus Townsend
History
Woven with the Ship: A Novel of 1865: Together with certain other veracious tales of various sorts
Brady, Cyrus Townsend
Short stories, American; United States -- History -- Civil War, 1861-1865 -- Fiction; War stories
The most popular theatre in America, according to the advertisements,
where nothing was played but the "continuous," was packed from parquet
to top gallery with a perspiring crowd of pleasure-seekers one hot
August night. The papers had said--_via_ the society columns, of
course--that everybody was out of town for the summer, and
incidentally, therefore, that all the ordinary places of amusement
were closed, except _Les Variétés_. However, the city was not quite
deserted; for, of the anchored ninety-nine hundredths of the
population, all who could do so, apparently in despair of other
amusement, and attracted by the popular prices, had crowded into "the
home of refined vaudeville," as it was called on the programme. The
house was fluttering with fans; most of the spectators and actors felt
as though they were slowly deliquescing in perspiration, but, on the
whole, the audience seemed to be enjoying it.
The usual _mélange_--how natural and appropriate it seems to use
French words when treating of the vaudeville!--of entertainments
entirely suited even to a Mrs. Boffin, become a world-wide type of
matronly modesty and virtue--had been provided by the high-minded and
scrutinizing management. Ladies in short skirts capered nimbly over
the stage to the "lascivious pleasing" of the banjo; gentlemen with
one leg rode marvellously endowed bicycles in impossible ways;
tumblers frisked and frolicked about without the slightest regard
either for temperature or gravitation; happy tramps,--at least the
announcements said they were happy,--whose airy, carefully tattered
garments were in entire consonance with the heated atmosphere,
delivered themselves of speeches full of rare old humor and fairly
bristling with Boeotian witticisms. There were men singers and women
singers, musical cranks, freak piano-players, monologue artists,
burlesquers, and then a little play,--at least they said it was a
play.
So with these multifarious stirrers-up-of-varied-emotions the evening
drew toward its close. Finally, just before the biograph went through
its eye-shattering, soul-distressing performance, the little boy who
walked solemnly across the stage before each turn with such a queer,
self-important strut that the regular patrons--those who came early
and brought their luncheon--felt disappointed when he took a vacation,
set out upon the racks, provided on either side of the proscenium arch
for the purpose, a tablet bearing the name "Mademoiselle Hélène."
When the curtain rose thereafter the stage was set for a woodland. The
lights were turned thrillingly low, so that the expectant audience
were scarcely aware how the tiny little body, whom they saw standing
in the full blaze of the calcium-light ray suddenly flashed upon her
from the mysterious apparatus in the balcony, had reached the centre
of the stage.
Public-domain text, read in full here on John Shaqi.
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