Woven with the Ship: A Novel of 1865: Together with certain other veracious tales of various sortsBrady, Cyrus Townsend
History
Woven with the Ship: A Novel of 1865: Together with certain other veracious tales of various sorts
Brady, Cyrus Townsend
Short stories, American; United States -- History -- Civil War, 1861-1865 -- Fiction; War stories
Indeed, the "Major" was not the least curious object in the
collection. Few people knew that the title represented gallant and
youthful soldiering in Rebellion days before he shrivelled and dried
up in the musty little shop. When, therefore, he was found dead among
his raffle of goods, about half after seven on a summer evening, with
his brains brutally beaten out by a hammer, which lay by his side, the
greatest excitement was manifested everywhere. That a man should be
murdered in a store on one of the main thoroughfares of the city at
that hour and in that way; that the murderer should make his escape by
the front door, which was left open, were in themselves sufficiently
remarkable facts to engage widespread attention.
Rewards were offered by the city government; the metropolitan police
force, supplemented by the best detectives that could be imported, who
were paid by private subscription, worked upon the case in vain. No
clew presented itself, nothing whatever was discovered. The contents
of the shop were finally sold at auction and the store was closed. The
estate, which was surprisingly small, contrary to the general
opinion,--which, in fact, consisted merely of the proceeds of the sale
of the goods,--was administered in the interests of some distant
connections, and the whole affair after a short time was practically
forgotten. Yet somewhere on the earth a man wandered with the guilt of
murder heavy on his soul.
* * * * *
When it was announced in the advertisements that Sir Henry Irving, the
great English actor, was to play _The Bells_ on Thursday night,
society--and those not within the charmed circle who could scrape
together the unusual price demanded by the elaborate nature of Sir
Henry's staging--anticipated a great intellectual treat. To see the
character of Matthias interpreted by such a master of the tragic art
could hardly be called entertaining, of course, yet anything which
takes us out of the humdrum routine of every-day life and quickens the
blood that beats with such commonplace sluggishness ordinarily is most
desirable. It is easy, therefore, to understand the avidity with which
the opportunity for paying the unusual price for being shocked and
terrified was welcomed.
The play, with its damnable iteration of chiming sleigh-bells and its
awful portrayal of the struggles of a crime-stained human soul against
diabolic memories, proceeded with that wonderful smoothness and
effectiveness for which Sir Henry's productions were famous. After the
short intermission at the close of the second act, the audience, most
of whom were familiar with the story, settled themselves with
delicious thrills of foreboding anticipation to witness the dreadful
and harrowing dénouement in which the murderer's dream--that the crime
of years is at last exposed and the brand of guilt is fixed upon his
honored brow--is exhibited on the stage in all its terrific realism.
Public-domain text, read in full here on John Shaqi.
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