Woven with the Ship: A Novel of 1865: Together with certain other veracious tales of various sortsBrady, Cyrus Townsend
History
Woven with the Ship: A Novel of 1865: Together with certain other veracious tales of various sorts
Brady, Cyrus Townsend
Short stories, American; United States -- History -- Civil War, 1861-1865 -- Fiction; War stories
A woman screamed suddenly. People rose to their feet. One of those
strange, swaying movements which bespeak a panic ran through the
crowd. Matthias on the stage rose instantly, faced about, and walked
toward the dark footlights, a genuine horror in his soul this time,
for no human voice that he had ever heard had carried such mortal pain
as that which had just spoken. The theatre was filled with a babel of
voices. Confused shouts and cries came from all sides.
"Lights, lights!"
"What is it?"
"Go on with the performance!"
At that instant the lights were turned up. There, in the middle aisle,
a few rows from the orchestra rail, a tall, thin man, his haggard face
white with emotion, his eyes staring, his teeth clinched 'neath
bloodless lips, stood swaying unsteadily to and fro. His hands
uplifted as if to ward off a blow, he stood utterly oblivious of
everything but Matthias. From the chair beside him a woman with a face
scarcely less white, in which were mingled incredulity, surprise, and
horror, reached her arms up to him as if to save him.
"I can't stand it any longer!" cried the man, staring up at Matthias.
"You've done it. I'll confess all! It has torn me to pieces!" he
screamed, clutching at his throat. "The Major--I beat him to death
with his hammer, like you did, for his money. I took it from his
person. I knew it was there. I was his friend, his only friend. My
God! There was no place to burn his body. He's always at my feet. He's
staring at me now by you on the stage!"
Sir Henry shrank away involuntarily as the man went on.
"Pity, pity!" he wailed, staggering, stumbling forward, falling upon
his knees nearer to Sir Henry. "Mercy!" he whispered at last, yet with
such distinctness that they heard him in every corner of the theatre.
He knelt with his hands outstretched toward the stage, waiting for
reprieve, sentence, condemnation,--God knows what.
The audience stared likewise with suspended hearts from the great but
mimic figure of murder on one side of the footlights to the greater
and real figure of murder upon the other. As they gazed the man
wavered forward again, sank lower, his hands fell, but before he
collapsed completely, an officer of the law, the first to recover his
wits in the presence of the catastrophe, ran down the aisle and
pounced upon him. Grasping his shoulder, he cried,--
"You're my prisoner. I arrest you!"
"Too late," whispered the man; "I'm--going--going--to plead--in
another--court."
He pitched forward and fell on his face--dead. And a woman, dry-eyed
with horror, old love surviving honor, respect, righteousness, knelt
by his side, took his head in her arms, and strove to kiss away from
his brow the mark of Cain.
Public-domain text, read in full here on John Shaqi.
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