So George Benthall and Gertrude Creswell were married at St. James's
Church in Piccadilly, by the Reverend John Bontein, a High-Church
rector of a Worcestershire parish, and an old college chum of the
bridegroom's. A very quiet wedding, with Maude as the sole bridesmaid,
and Joyce as best man, and Lady Caroline, and, oddly enough, Lord
Hetherington, who had just come up to town from Westhope, and, calling
at his sister's, had learned what was going to take place, and thought
he should like to see it, don't you know? Had never been at any
wedding except his own, and didn't recollect much about that, except
that--curious thing, never should forget it--when he went into the
vestry to sign his name, or something of that kind, saw surplice
hanging up behind the door--thought it was ghost, or something of that
kind--give you his word! So the little earl arrived the next morning
at eleven at the church, and took his place in a pew near the altar,
and propped his ear up with his hand to listen to the marriage
service, at which he seemed to be much affected. When the ceremony was
over, he joined the party in the vestry, insisted on bestowing a
formal salute upon the bride--Lady Hetherington, he knew, was safely
moored at Westhope--and, as some recompense for the infliction, he
clasped on Gertrude's arm a very handsome bracelet, as his bridal
gift. No bells, no bishop, no fashionable journal's chronicler,
minutely noting down all that took place, and chronicling the names of
"distinguished persons present." Pew-opener and beadle hearing "my
lord" and "her ladyship" mentioned, seeing broughams, and cockades,
and other signs of aristocracy with which they are familiar, are
unable to reconcile the presence of these with absence of outward and
visible signs in which great ones of this earth delight; and conclude
either that it is a runaway match winked at by a portion only of the
family, or some such low affair as the union of the tutor with the
governess, kindly patronised by their employers. A happy wedding,
though--happier far than most which are made up in that same
temple--love-match founded on long knowledge of each other, not
hurried, not forced, not mercenary; no question of love in a
cottage either, and the flight of Amor through the window concurrently
with the entrance of the wicked man of the drama--one Turpis
Egestas--through the door.
Public-domain text, read in full here on John Shaqi.
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