We recommend the final line to the attention of those careless bards who pronounce =real= as =reel=, and =ideal= as =ideel=. The correct quantities, as there given, will serve as examples. Verse of deeper quality is furnished by amateurdom's foremost expressionist, Anne Tillery Renshaw, two of whose poems appear. "The Singing Sea" contains an error of technique, =hope= and =note= being placed in attempted rhyme; but the structure is in general very regular, considering the author's radical theories. Of the merit of the sentiment it is unnecessary to speak. "A Wish" is cast in less fluent metre, but is so replete with aptness, grandeur and refinement of ideas, that the sternest critic must needs view its form with lenient glance. The prose contents of =Excelsior= are worthy company for the verse. Paul J. Campbell is represented by a very brief though characteristic essay entitled "The Price of Freedom," wherein appears the sound reasoning and courageous philosophy for which Mr. Campbell has always been distinguished. Another notable essay or review is "English History," by Henry Clapham McGavack. Mr. McGavack here ably employs his keen analysis and lucid style in dissecting Prof. Meyer's absurdly biased but diabolically clever pro-German History of England. "The Association," by David H. Whittier, teems with good advice concerning the proper management of the United. Mr. Whittier's style is smooth and dignified, exhibiting a sober maturity unusual for a young author. "Tonio's Salvation," a short story by Edna von der Heide, is the only bit of fiction in the magazine. This brief glimpse of the cosmopolitan child life of a modern city is marked equally by naturalness of plot and facility of technic, forming a piece quite professional in quality and atmosphere. =Excelsior= has done much to sustain the best traditions of the United, and we hope its future appearance will be frequent and regular. The editorial column reveals the genius and exquisite taste of its gifted publisher. * * * * *