Detective and mystery stories; Inheritance and succession -- Fiction; Missing persons -- Fiction
In the queer little drawing-room of Redman's Farm it was twilight, so
dense were the shadows from the great old chestnuts that surrounded it,
before the sun was well beneath the horizon; and you could, from its
darkened window, see its red beams still tinting the high grounds of
Willerston, visible through the stems of the old trees that were massed
in the near foreground.
A figure which had lost its energy--a face stamped with the lines and
pallor of a dejection almost guilty--with something of the fallen grace
and beauty of poor Margaret, as we see her with her forehead leaning on
her slender hand, by the stirless spinning-wheel--the image of a strange
and ineffaceable sorrow, sat Rachel Lake.
Tamar might glide in and out; her mistress did not speak; the shadows
deepened round her, but she did look up, nor call, in the old cheerful
accents, for lights. No more roulades and ringing chords from the
piano--no more clear spirited tones of the lady's voice sounded through
the low ceilings of Redman's Farm, and thrilled with a haunting melody
the deserted glen, wherein the birds had ended their vesper songs and
gone to rest.
A step was heard at the threshold--it entered the hall; the door of the
little chamber opened, and Stanley Lake entered, saying in a doubtful,
almost timid way--
'It is I, Radie, come to thank you, and just to ask you how you do, and
to say I'll never forget your kindness; upon my honour, I never can.'
Rachel shuddered as the door opened, and there was a ghastly sort of
expectation in her look. Imperfectly as it was seen, he could understand
it. She did not bid him welcome or even speak. There was a silence.
'Now, you're not angry with me, Radie dear; I venture to say I suffer
more than you: and how could I have anticipated the strange turn things
have taken? You know how it all came about, and you must see I'm not
really to blame, at least in intention, for all this miserable trouble;
and even if I were, where's the good in angry feeling or reproaches now,
don't you see, when I can't mend it? Come, Radie, let by-gones be
by-gones. There's a good girl; won't you?'
'Aye, by-gones are by-gones; the past is, indeed, immutable, and the
future is equally fixed, and more dreadful.'
'Come, Radie; a clever girl like you can make your own future.'
'And what do you want of me now?' she asked, with a fierce cold stare.
'But I did not say I wanted anything.'
'Of course you do, or I should not have seen you. Mark me though, I'll go
no further in the long route of wickedness you seem to have marked out
for me. I'm sacrificed, it is true, but I won't renew my hourly horrors,
and live under the rule of your diabolical selfishness.'
'Say what you will, but keep your temper--will you?' he answered, more
like his angry self. But he checked the rising devil within him, and
changed his tone; he did not want to quarrel--quite the reverse.
Public-domain text, read in full here on John Shaqi.
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