Yama [The Pit], a Novel in Three PartsKuprin, A. I. (Aleksandr Ivanovich)
General
Yama [The Pit], a Novel in Three Parts
Kuprin, A. I. (Aleksandr Ivanovich)
Prostitutes -- Russia -- Fiction; Russia -- Fiction; Russian fiction -- Translations into English
There were very many folk at market to-day. Even at a distance, edging
his way to the familiar, loved stall, Lichonin heard the sounds of
music. Having made his way through the crowd, which in a solid ring
surrounded one of the stalls, he saw a naive and endearing sight, which
may be seen only in the blessed south of Russia. Ten or fifteen
huckstresses, during ordinary times gossips of evil tongue and addicted
to unrestrainable swearing, inexhaustible in its verbal diversity, but
now, evidently, flattering and tender cronies, had started celebrating
even since last evening; had caroused the whole night through and now
had carried their noisy merrymaking out to the market. The hired
musicians—two fiddles, a first and a second, and a tambourine—were
strumming a monotonous but a lively, bold, daring and cunning tune.
Some of the wives were clinking glasses and kissing each other, pouring
vodka over one another; others poured it out into glasses and over the
tables; others still, clapping their palms in time with the music,
oh’d, squealed, and danced, squatting in one place. And in the middle
of the ring, upon the cobbles of the pavement, a stout woman of about
forty-five, but still handsome, with red, fleshy lips, with humid,
intoxicated, seemingly unctuous eyes, merrily sparkling from under the
high bows of black, regular, Little Russian eyebrows, was whirling
around and stamping out a tattoo on one spot. All the beauty and all
the art of her dance consisted in that she would now bow her little
head and look out provokingly from under her eyebrows, then suddenly
toss it back and let her eyelashes down and spread her hands out at her
sides; and also in that in measure with the dance her enormous breasts
swayed and quivered under her red calico waist. During the dance she
was singing, now shuffling her heels, now the toes, of her goat-skin
shoes:
“The fiddle’s playing on the street,
You can hear its bass so sweet;
My mother has me locked up neat,
My waitin’ dearie I can’t meet.”
That was the very country-wife whom Lichonin knew; the self-same who
not only had had him for a client during hard times, but had even
extended him credit. She suddenly recognized Lichonin, darted to him,
embraced him, squeezed him to her bosom and kissed him straight on his
lips with her moist, warm, thick lips. Then she spread her arms out
wide, smote one palm against the other, intertwined her fingers, and
sweetly, as only Podolian wives can do it, began to coo:
Public-domain text, read in full here on John Shaqi.
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