Yama [The Pit], a Novel in Three PartsKuprin, A. I. (Aleksandr Ivanovich)
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Yama [The Pit], a Novel in Three Parts
Kuprin, A. I. (Aleksandr Ivanovich)
Prostitutes -- Russia -- Fiction; Russia -- Fiction; Russian fiction -- Translations into English
While the inelaborate appetizers were being served, and each one was
ordering the meal, everybody, save Simanovsky, felt ill at ease and
somehow constrained. And Simanovsky himself was partly the reason for
this; he was a clean-shaven man, with pince-nez and long hair, with
head proudly thrown back and with a contemptuous expression on the
tight lips, drooping at the corners. He had no intimate, hearty friends
among his comrades; but his opinions and judgments had a considerable
authoritativeness among them. It is doubtful whether any one of them
could explain to himself whence this influence came; whether from his
self-assured appearance, his ability to seize and express in general
words the dismembered and indistinct things which are dimly sought and
desired by the majority, or because he always saved his conclusions for
the most appropriate moment. Among any society there are many of this
sort of people: some of them act upon their circle through sophistries;
others through adamant, unalterable stead-fastness of convictions; a
third group with a loud mouth; a fourth, through a malicious sneer; a
fifth, simply by silence, which compels the supposition of profound
thought behind it; a sixth, through a chattering, outward erudition;
others still through a slashing sneer at everything that is said ...
many with the terrible Russian word YERUNDA:
“Fiddlesticks!”—“Fiddlesticks!” they say contemptuously in reply to the
warm, sincere, probably truthful but clumsily put word. “But why
fiddlesticks?” “Because it’s twaddle, nonsense,” answer they, shrugging
their shoulders; and it is as though they did for a man by hitting him
with a stone over the head. There are many more sorts of such people,
bearing the bell at the head of the meek, the shy, the nobly modest,
and often even the big minds; and to their number did Simanovsky
belong.
However, toward the middle of the dinner everybody’s tongue became
loosened—except Liubka’s, who kept silent, answered “yes” and “no”, and
left her food practically untouched. Lichonin, Soloviev, and Nijeradze
talked most of all. The first, in a decisive and business-like manner,
trying to hide under the solicitous words something real, inward,
prickling and inconvenient. Soloviev, with a puerile delight, with the
most sweeping of gestures, hitting the table with his fist. Nijeradze,
with a slight doubtfulness and with unfinished phrases, as though he
knew that which must be said, but concealed it. The queer fate of the
girl, however, had seemingly engrossed, interested them all; and each
one, in expressing his opinion, for some reason inevitably turned to
Simanovsky. But he kept his counsel for the most part, and looked at
each one from under the glasses of his pince-nez, raising his head high
to do so.
Public-domain text, read in full here on John Shaqi.
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