Yama [The Pit], a Novel in Three PartsKuprin, A. I. (Aleksandr Ivanovich)
General
Yama [The Pit], a Novel in Three Parts
Kuprin, A. I. (Aleksandr Ivanovich)
Prostitutes -- Russia -- Fiction; Russia -- Fiction; Russian fiction -- Translations into English
“No!” he exclaimed stubbornly. “Simanovsky is partly right concerning
the great danger of a person’s being led in leading strings. But I
don’t see any other way out. In the beginning I’ll help her with room
and board... find some easy work, buy the necessary accessories for
her. Let be what may! And let us do everything in order to educate her
mind a little; and that her heart and soul are beautiful, of that I am
sure. I’ve no grounds for the faith, but I am sure, I almost know.
Nijeradze! Don’t clown!” he cried abruptly, growing pale, “I’ve
restrained myself several times already at your fool pranks. I have
until now held you as a man of conscience and feeling. One more
inappropriate witticism, and I’ll change my opinion of you; and know,
that it’s forever.”
“Well, now, I didn’t mean anything... Really, I... Why go all up in the
air, me soul? You don’t like that I’m a gay fellow, well, I’ll be
quiet. Give me your hand, Lichonin, let’s drink!”
“Well, all right, get away from me. Here’s to your health! Only don’t
behave like a little boy, you Ossetean ram. Well, then, I continue,
gentlemen. If we find anything which might satisfy the just opinion of
Simanovsky about the dignity of independent toil, unsustained by
anything, then I shall stick to my system: to teach Liuba whatever is
possible, to take her to the theatre, to expositions, to popular
lectures, to museums; to read aloud to her, give her the possibility of
hearing music—comprehensible music, of course. It’s understood, I alone
won’t be able to manage all this. I expect help from you; and after
that, whatever God may will.”
“Oh, well,” said Simanovsky, “the work is new, not threadbare; and how
can we know the unknowable—perhaps you, Lichonin, will become the
spiritual father of a good being. I, too, offer my services.”
“And I! And I!” the other two seconded; and right there, without
getting up from the table, the four students worked out a very broad
and very wondrous program of education and enlightenment for Liubka.
Soloviev took upon himself to teach the girl grammar and writing. In
order not to tire her with tedious lessons, and as a reward for
successes, he would read aloud for her artistic fiction, Russian and
foreign, easy of comprehension. Lichonin left for himself the teaching
of arithmetic, geography and history.
While the prince said simple-heartedly, without his usual facetiousness
this time:
“I, my children, don’t know anything; while that which I do know, I
know very badly. But I’ll read to her the remarkable production of the
great Georgian poet Rustavelli, and translate it line by line. I
confess to you, that I’m not much of a pedagogue: I tried to be a
tutor, but they politely chased me out after only the second lesson.
Still, no one can teach better playing on a guitar, mandolin, and the
bagpipes!”
Public-domain text, read in full here on John Shaqi.
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