Yama [The Pit], a Novel in Three PartsKuprin, A. I. (Aleksandr Ivanovich)
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Yama [The Pit], a Novel in Three Parts
Kuprin, A. I. (Aleksandr Ivanovich)
Prostitutes -- Russia -- Fiction; Russia -- Fiction; Russian fiction -- Translations into English
As the lady of the house, Liubka proved to be less than mediocre. True,
she could cook fat stews, so thick that the spoon stood upright in
them; prepare enormous, unwieldy, formless cutlets; and under the
guidance of Lichonin familiarized herself pretty rapidly with the great
art of brewing tea (at seventy-five kopecks a pound); but further than
that she did not go, probably because for each art and for each being
there are extreme limitations of their own, which cannot in any way be
surmounted. But then, she loved to wash floors very much; and carried
out this occupation so often and with such zeal, that dampness soon set
in in the flat and multipedes appeared.
Tempted once by a newspaper advertisement, Lichonin procured a stocking
knitting machine for her, on terms. The art, the mastery of this
instrument—promising, to judge by the advertisement, three roubles of
clear profit a day—proved to be so uncomplicated that Lichonin,
Soloviev, and Nijeradze easily mastered it in a few hours; while
Lichonin even contrived to knit a whole stocking of uncommon
durability, and of such dimensions that it would have proven big even
for the feet of Minin and Pozharsky, whose statues are in Moscow, on
Krasnaya Square. Only Liubka alone could not master this trade. At
every mistake or tangle she was forced to turn to the co-operation of
the men. But then, she learned pretty rapidly to make artificial
flowers and, despite the opinion of Simanovsky, made them very
exquisitely, and with great taste; so that after a month the hat
specialty stores began to buy her work. And, what is most amazing, she
had taken only two lessons in all from a specialist, while the rest she
learned through a self-instructor, guiding herself only by the drawings
supplemental to it. She did not contrive to make more than a rouble’s
worth of flowers in a week; but this money was her pride, and for the
very first half-rouble that she made she bought Lichonin a mouthpiece
for smoking.
Several years later Lichonin confessed to himself at soul, with regret
and with a quiet melancholy, that this period of time was the most
quiet, peaceful and comfortable one of all his life in the university
and as a lawyer. This unwieldy, clumsy, perhaps even stupid Liubka,
possessed some instinctive domesticity, some imperceptible ability of
creating a bright and easy quietude around her. It was precisely she
who attained the fact that Lichonin’s quarters very soon became a
charming, quiet centre; where all the comrades of Lichonin, who, as
well as the majority of the students of that time, were forced to
sustain a bitter struggle with the harsh conditions of life, felt
somehow at ease, as though in a family; and rested at soul after heavy
tribulations, need, and starvation. Lichonin recalled with grateful
sadness her friendly complaisance, her modest and attentive silence, on
those evenings around the samovar, when so much had been spoken, argued
and dreamt.
Public-domain text, read in full here on John Shaqi.
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