Yama [The Pit], a Novel in Three PartsKuprin, A. I. (Aleksandr Ivanovich)
General
Yama [The Pit], a Novel in Three Parts
Kuprin, A. I. (Aleksandr Ivanovich)
Prostitutes -- Russia -- Fiction; Russia -- Fiction; Russian fiction -- Translations into English
But she would laugh, get angry, strike his hands, and threaten to
complain to Lichonin.
“V-va!” the prince would spread out his hands. “What is Lichonin?
Lichonin is my friend, my brother, and bosom crony. But then, does he
know what loffe is? Is it possible that you northern people understand
loffe? It’s we, Georgians, who are created for loffe. Look, Liubka!
I’ll show you right away what loffe is!” He would clench his fists,
bend his body forward, and would start rolling his eyes so ferociously,
gnash his teeth and roar with a lion’s voice so, that a childish terror
would encompass Liubka, despite the fact that she knew this to be a
joke, and she would dash off running into another room.
It must be said, however, that for this lad, in general unrestrained in
the matter of light, chance romances, existed special firm moral
prohibitions, sucked in with the milk of his mother Georgian; the
sacred adates concerning the wife of a friend. And then, probably he
understood—and it must be said that these oriental men, despite their
seeming naiveness—and, perhaps, even owing to it—possess, when they
wish to, a fine psychic intuition—he understood, that having made
Liubka his mistress for even one minute, he would be forever deprived
of this charming, quiet, domestic evening comfort, to which he had
grown so used. For he, who was on terms of thou-ing with almost the
whole university, nevertheless felt himself so lonely in a strange city
and in a country still strange to him!
These studies afforded the most pleasure of all to Soloviev. This big,
strong, and negligent man somehow involuntarily, imperceptibly even to
himself, began to submit to that hidden, unseizable, exquisite witchery
of femininity; which not infrequently lurks under the coarsest
covering, in the harshest, most gnarled environment. The pupil
dominated, the teacher obeyed. Through the qualities of a primitive,
but on the other hand a fresh, deep, and original soul, Liubka was
inclined not to obey the method of another, but to seek out her own
peculiar, strange processes. Thus, for example, she—like many children,
however,—learned writing before reading. Not she herself, meek and
yielding by nature, but some peculiar quality of her mind, obstinately
refused in reading to harness a vowel alongside of a consonant, or vice
versa; in writing, however, she would manage this. For penmanship along
slanted rulings she, despite the general wont of beginners, felt a
great inclination; she wrote bending low over the paper; blew on the
paper from exertion, as though blowing off imaginary dust; licked her
lips and stuck out with the tongue, from the inside, now one cheek, now
the other. Soloviev did not thwart her, and followed after, along those
ways which her instinct laid down. And it must be said, that during
this month and a half he had managed to become attached with all his
huge, broad, mighty soul to this chance, weak, transitory being. This
Public-domain text, read in full here on John Shaqi.
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