Yama [The Pit], a Novel in Three PartsKuprin, A. I. (Aleksandr Ivanovich)
General
Yama [The Pit], a Novel in Three Parts
Kuprin, A. I. (Aleksandr Ivanovich)
Prostitutes -- Russia -- Fiction; Russia -- Fiction; Russian fiction -- Translations into English
“I’ll take my comrade right away, and then home.”
“As you know best! ... God bless you, dearie!”
“Forgive me! ... Forgive me! ...” once more repeated Kolya, stretching
out his hands to her.
“I’ve already told you, my splendid boy...And you forgive me too...For
we won’t see each other anymore!”
And she, having closed the door, was left alone.
In the corridor Gladishev hesitated, because he did not know how to
find the room to which Petrov had retired with Tamara. But the
housekeeper Zociya helped him, running past him very quickly, and with
a very anxious, alarmed air.
“Oh, I haven’t time to bother with you now!” she snarled back at
Gladishev’s question. “Third door to the left.”
Kolya walked up to the door indicated and knocked. Some sort of bustle
and whispering sounded in the room. He knocked once more.
“Kerkovius, open! This is me—Soliterov.”
Among the cadets, setting out on expeditions of this sort, it was
always agreed upon to call each other by fictitious names. It was not
so much a conspiracy or a shift against the vigilance of those in
authority, or fear of compromising one’s self before a chance
acquaintance of the family, but rather a play, of its own kind, at
mysteriousness and disguise—a play tracing its beginning from those
times when the young people were borne away by Gustave Aimard, Mayne
Reid, and the detective Lecocq.
“You can’t come in!” the voice of Tamara came from behind the door.
“You can’t come in. We are busy.”
But the bass voice of Petrov immediately cut her short:
“Nonsense! She’s lying. Come in. It’s all right.”
Kolya opened the door.
Petrov was sitting on a chair dressed, but all red, morose, with lips
pouting like a child’s, with downcast eyes.
“Well, what a friend you’ve brought—I must say!” Tamara began speaking
sneeringly and wrathfully. “I thought he was a man in earnest, but this
is only some sort of a little girl! He’s sorry to lose his innocence,
if you please. What a treasure you’ve found, to be sure! But take back,
take back your two roubles!” she suddenly began yelling at Petrov and
tossed two coins on the table. “You’ll give them away to some poor
chambermaid or other! Or else save them for gloves for yourself, you
marmot!”
“But what are you cursing for?” grumbled Petrov, without raising his
eyes. “I’m not cursing you, am I? Then why do you curse first? I have a
full right to act as I want to. But I have passed some time with you,
and so take them. But to be forced, I don’t want to. And on your part,
Gladishev—that is, Soliterov—this isn’t at all nice. I thought she was
a nice girl, but she’s trying to kiss all the time, and does God knows
what...”
Tamara, despite her wrath, burst into laughter.
“Oh, you little stupid, little stupid! Well, don’t be angry—I’ll take
your money. Only watch: this very evening you’ll be sorry, you’ll be
crying. Well, don’t be angry, don’t be angry, angel, let’s make up. Put
your hand out to me, as I’m doing to you.”
Public-domain text, read in full here on John Shaqi.
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