Yama [The Pit], a Novel in Three PartsKuprin, A. I. (Aleksandr Ivanovich)
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Yama [The Pit], a Novel in Three Parts
Kuprin, A. I. (Aleksandr Ivanovich)
Prostitutes -- Russia -- Fiction; Russia -- Fiction; Russian fiction -- Translations into English
The artiste was having one of her evil, black days to-day. Yesterday
morning some misunderstandings with the management had arisen; while in
the evening the public had received her not as triumphantly as she
would have desired, or, perhaps, this had simply appeared so to her;
while to-day in the newspaper the fool of a reviewer, who understood
just as much of art as a cow does of astronomy, had praised up her
rival, Titanova, in a big article. And so Ellena Victorovna had
persuaded herself that her head was aching; that there was a nervous
tic in her temples; and that her heart, time and again, seemed suddenly
to fall through somewheres.
“How do you do, my dear!” she said, a trifle nasally, in a weak, wan
voice, with pauses, as heroines on the stage speak when dying from love
and from consumption. “Sit down here ... I am glad to see you ... Only
don’t be angry—I am almost dying from migraine, and from my miserable
heart. Pardon my speaking with difficulty. I think I sang too much and
tired my voice ...”
Rovinskaya, of course, had recalled both the mad escapade of that
evening; and the striking, unforgettable face of Tamara; but now, in a
bad mood, in the wearisome, prosaic light of an autumn day, this
adventure appeared to her as unnecessary bravado; something artificial,
imagined, and poignantly shameful. But she was equally sincere on that
strange, night-marish evening when she, through the might of talent,
had prostrated the proud Jennka at her feet, as well as now, when she
recalled it with fatigue, indolence, and artistic disdain. She, as well
as many distinguished artists, was always playing a role; was always
not her own self, and always regarded her words, movements, actions, as
though looking at herself from a distance with the eyes and feelings of
the spectators.
She languidly raised from the pillow her narrow, slender, beautiful
hand, and applied it to her forehead; and the mysterious, deep emeralds
stirred as though alive and began to flash with a warm, deep sparkle.
“I just read in your note that this poor ... pardon me, her name has
vanished out of my head...”
“Jennie.”
“Yes, yes, thank you! I recall it now. She died? But from what?”
“She hanged herself ... yesterday morning, during the doctor’s
inspection...”
The eyes of the artiste, so listless, seemingly faded, suddenly opened,
and, as through a miracle, grew animated and became shining and green,
just like her emeralds; and in them were reflected curiosity, fear and
aversion.
“Oh, my God! Such a dear, so original, handsome, so fiery ... Oh, the
poor, poor soul! ... And the reason for this was? ...”
“You know ... the disease. She told you.”
Public-domain text, read in full here on John Shaqi.
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