Yama [The Pit], a Novel in Three PartsKuprin, A. I. (Aleksandr Ivanovich)
General
Yama [The Pit], a Novel in Three Parts
Kuprin, A. I. (Aleksandr Ivanovich)
Prostitutes -- Russia -- Fiction; Russia -- Fiction; Russian fiction -- Translations into English
“You just wink at me, and I’m all ready ... with powders, with
instruments, with passports ... And then—choo-choo! The machine is off!
Tamarochka! My angel! ... My precious, my sparkler! ...”
And he, always restrained, having forgotten that he could be seen by
strangers, already wanted to embrace and hug Tamara to himself.
“Now, now!” ... rapidly and deftly, like a cat, Tamara jumped off the
chair. “Afterwards ... afterwards, Senechka, afterwards, little dearie!
... I’ll be all yours—there won’t be any denial, nor forbiddance. I’ll
myself make you weary of me ... Good-bye, my little silly!”
And with a quick movement of her hand having rumpled up his black
curls, she hastily went out of the coffee-house.
CHAPTER VIII.
On the next day, on Monday, toward ten o’clock in the morning, almost
all the inmates of the house—formerly Madam Shaibes’, but now Emma
Edwardovna Titzner’s—rode off in cabs to the centre of the city, to the
anatomical theatre—all, except the far-sighted, much-experienced
Henrietta; the cowardly and insensible Ninka; and the feeble-minded
Pashka, who for two days now had not gotten up from her bed, kept
silent, and to questions directed at her answered by a beatific,
idiotical smile and with some sort of inarticulate animal lowing. If
she were not given to eat, she would not even ask; but if food were
brought, she would eat with greediness, right with her hands. She
became so slovenly and forgetful, that it was necessary to remind her
of certain necessary functions in order to avoid unpleasantness. Emma
Edwardovna did not send out Pashka to her steady guests, who asked for
Pashka every day. Even before, she had had such periods of a detriment
of consciousness; however, they had not lasted long, and Emma
Edwardovna in any case determined to tide it over: Pashka was a
veritable treasure for the establishment, and its truly horrible
victim.
The anatomical theatre represented a long, one-storied, dark-gray
building, with white frames around the windows and doors. There was in
its very exterior something low, pressed down, receding into the
ground, almost weird. The girls one after the other stopped near the
gates and timidly passed through the yard into the chapel; nestled down
at the other end of the yard, in a corner, painted over in the same
dark gray colour, with white frame-work.
The door was locked. It was necessary to go after the watchman. Tamara
with difficulty sought out a bald, ancient old man, grown over as
though with bog moss by entangled gray bristles; with little rheumy
eyes and an enormous, reddish, dark-blue granulous nose, on the manner
of a cookie.
He unlocked the enormous hanging lock, pushed away the bolt and opened
the rusty, singing door. The cold, damp air together with the mixed
smell of the dampness of stones, frankincense, and dead flesh breathed
upon the girls. They fell back, huddling closely into a timorous flock.
Tamara alone went after the watchman without wavering.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account