Yama [The Pit], a Novel in Three PartsKuprin, A. I. (Aleksandr Ivanovich)
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Yama [The Pit], a Novel in Three Parts
Kuprin, A. I. (Aleksandr Ivanovich)
Prostitutes -- Russia -- Fiction; Russia -- Fiction; Russian fiction -- Translations into English
“That’s the way! Saturday, you say in the daytime? And what did she
have on?”
“Well, almost nothing; a little night blouse, an underskirt ... both
the one and the other white.”
“So-o! That must be number two hundred and seventeen ... How is she
called, now? ...”
“Susannah Raitzina.”
“I’ll go and see—maybe she’s there. Well, now, mam’selles,” he turned
to the young ladies, who were dully huddling in the doorway,
obstructing the light. “Which of you are the braver? If your friend
came the day before yesterday, then that means that she’s now lying in
the manner that the Lord God has created all mankind—that is, without
anything ... Well, who of you will be the bolder? Which two of you will
come? She’s got to be dressed...”
“Well, now, you go, Manka,” Tamara ordered her mate, who, grown chill
and pale from horror and aversion, was staring at the dead with widely
open, limpid eyes. “Don’t be afraid, you fool—I’ll go with you! Who’s
to go, if not you?
“Well, am I ... well, am I? ...” babbled Little White Manka with barely
moving lips. “Let’s go. It’s all the same to me...”
The morgue was right here, behind the chapel—a low, already entirely
dark basement, into which one had to descend by six steps.
The watchman ran off somewhere, and returned with a candle-end and a
tattered book. When he had lit the candle, the girls saw a score of
corpses that were lying directly on the stone floor in regular
rows—extended, yellow, with faces distorted by pre-mortal convulsions,
with skulls split open, with clots of blood on their faces, with
grinning teeth.
“Right away ... right away...” the watchman was saying, guiding his
finger over the headings. “The day before yesterday ... that means, on
Saturday ... on Saturday ... What did you say her name was, now?”
“Raitzina, Susannah,” answered Tamara.
“Rai-tzina Susannah ...” said the watchman, just as though he were
singing, “Raitzina, Susannah. Just as I said. Two hundred seventeen.”
Bending over the dead and illuminating them with the guttered and
dripping candle-end, he passed from one to another. Finally he stopped
before a corpse, upon whose foot was written in ink, in large black
figures: 217.
“Here’s the very same one! Let me, I’ll carry her out into the little
corridor and run after her stuff ... Wait a while! ...”
Grunting, but still with an ease amazing in one of his age, he lifted
up the corpse of Jennka by the feet, and threw it upon his back with
the head down, as though it were a carcass of meat, or a bag of
potatoes.
It was a trifle lighter in the corridor; and, when the watchman had
lowered his horrible burden to the floor, Tamara for a moment covered
her face with her hands, while Manka turned away and began to cry.
Public-domain text, read in full here on John Shaqi.
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