Yama [The Pit], a Novel in Three PartsKuprin, A. I. (Aleksandr Ivanovich)
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Yama [The Pit], a Novel in Three Parts
Kuprin, A. I. (Aleksandr Ivanovich)
Prostitutes -- Russia -- Fiction; Russia -- Fiction; Russian fiction -- Translations into English
“Never.”
“Well, what’s right is right!” exclaimed Nhira. “Sergei Ivanich is like
a holy hermit.”
“Previously, some five years ago, I experienced this also,” continued
Platonov. “But, do you know, it’s really too tedious and disgusting.
Something on the nature of these flies which the actor gentleman just
represented. They’re stuck together on the window sill, and then in
some sort of fool wonder scratch their backs with their little hind
legs and fly apart forever. And to play at love here? ... Well, for
that I’m no hero out of their sort of novel. I’m not handsome, am shy
with women, uneasy, and polite. While here they thirst for savage
passions, bloody jealousy, tears, poisonings, beatings, sacrifices,—in
a word, hysterical romanticism. And it’s easy to understand why. The
heart of woman always wants love, while they are told of love every day
with various sour, drooling words. Involuntarily one wants pepper in
one’s love. One no longer wants words of passion, but
tragically-passionate deeds. And for that reason thieves, murderers,
souteners and other riff-raff will always be their lovers.”
“And most important of all,” added Platonov, “that would at once spoil
for me all the friendly relations which have been so well built up.”
“Enough of joking!” incredulously retorted Lichonin. “Then what compels
you to pass days and nights here? Were you a writer—it would be a
different matter. It’s easy to find an explanation; well, you’re
gathering types or something ... observing life ... After the manner of
that German professor who lived for three years with monkeys, in order
to study closely their language and manners. But you yourself said that
you don’t indulge in writing?”
“It isn’t that I don’t indulge, but I simply don’t know how—I can’t.”
“We’ll write that down. Now let’s suppose another thing—that you come
here as an apostle of a better, honest life, in the nature of a, now,
saviour of perishing souls. You know, as in the dawn of Christianity
certain holy fathers instead of standing on a column for thirty years
or living in a cave in the woods, went to the market places, into
houses of mirth, to the harlots and scaramuchios. But you aren’t
inclined that way.”
“I’m not.”
“Then why, the devil take it, do you hang around here? I can see very
well that a great deal here is revolting and oppressive and painful to
your own self. For example, this fool quarrel with Boris or this flunky
who beats a woman, and—, in general, the constant contemplation of
every kind of filth, lust, bestiality, vulgarity, drunkenness. Well,
now, since you say so—I believe that you don’t give yourself up to
lechery. But then, still more incomprehensible to me is your MODUS
VIVENDI, to express myself in the style of leading articles.”
The reporter did not answer at once:
Public-domain text, read in full here on John Shaqi.
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