Ye Lyttle Salem Maide: A Story of WitchcraftMackie, Pauline Bradford
History
Ye Lyttle Salem Maide: A Story of Witchcraft
Mackie, Pauline Bradford
Salem (Mass.) -- History -- Colonial period, ca. 1600-1775 -- Fiction; Trials (Witchcraft) -- Fiction
Abigail read the sign over hastily and passed on. “I will get down on my
marrow-bones when I come back,” she murmured; “I be in mickle haste for
loitering.”
Soon she neared the river beyond which stretched the pleasant hill. She
heard a voice singing a hymn a far distance behind her. She turned and
waited until the singer should have turned the curve of the road. The
singing grew louder and then died away. A little later Mr. Cotton Mather,
mounted on his white horse, came in sight. It seemed to her that far as
he was from her, their glances met and then he turned and looked behind
him.
That moment was her salvation. Quickly she ran and hid behind the trunk
of a great tree. Cotton Mather came slowly on. His horse was well
nigh spent with fatigue. She saw him distinctly, his face white from
exhaustion, his eyes sombre from a sleepless night. His black velvet
small-clothes were spattered with mud. He reined in his horse so near her
that she might almost have touched him.
He removed his hat to greet the cool river breeze. His countenance at
this time of his young manhood held an irresistible ardour. Some heritage
had bestowed upon him a distinction and grace, even a worldliness of
mien, which, where he was unknown, would have permitted him to pass for
a courtier rather than a priest. At this moment no least suggestion
of anything gross or material showed in his face, which was so nearly
unearthly in its exaltation that the little maid watching him was awed
thereat and sank to her knees. His very presence seemed to inspire prayer.
A moment he looked searchingly around him, then spurred his horse to take
the ford. She saw the bright water break around his horse’s feet, the
early sunshine falling aslant his handsome figure. She watched until he
reached the further bank and disappeared behind a gentle hill. Then she
came out from her hiding.
When in after years she beheld him,—his public life a tragedy by reason
of his part in the witchcraft trouble and his jealous strivings to
maintain the infallibility of the Protestant priesthood,—saw him mocked
and ridiculed and slaves named after him, a vision would rise before her.
She would see again that magnificent young figure on the white horse,
the radiant air softly defining it amidst the greenness of the forest,
herself a part of the picture, a little child kneeling hidden behind a
tree in the early morning.
Public-domain text, read in full here on John Shaqi.
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