Howells, William Dean, 1837-1920 -- Childhood and youth
After his liking for Shakespeare and Dickens he liked the Ingoldsby
Legends, but he did not care for the poetry which I was constantly
reading and trying to write. The effect of my endeavor as it appeared in
the passionate or pessimistic verse which I contributed to Eastern
periodicals must have amused him; but perhaps he tolerated me because,
along with this poetical effusiveness in which I was grievously
sensitive to any breath of sarcasm, I had a tooth as sharp as his own in
our journalism. He was intelligently and I suppose scientifically fond
of music, since he failed of no chance to hear the best, a chance rare
in our city; and he held that the composition of grand opera was the
highest feat of the human intellect, which was to me a stumbling-block
and foolishness, though I liked dramatic singing, and indeed singing of
all kinds. We came together in our fondness for the theater, and after
our evening's work was done he sometimes turned with me into the
barnlike structure on State Street which served the pathetic need of the
drama in Columbus at that day. The place was heated in the winter for
its twenty or thirty frequenters by two huge cast-iron stoves, one on
either side of the orchestra: stoves such as I have since seen in
English cathedrals; but when the curtain rose the blast of freezing air
that swept out upon us made us shiver for the players in their bare arms
and necks and their thin hosiery and drapery. They were often such bad
players that they merited their sufferings; the prompter audibly bore a
very leading part in the performance as he still does in the Italian
theater; yet for all his efforts we one night saw Hamlet in two acts; it
was, to be sure, a very cold night, of an air eagerer and nippinger than
even that the ghost walked in at Elsinore, and we would not have had the
play longer. Yet we often saw very well given some of the old English
comedies which are now no longer well or ill given; and between the
acts, somewhere, a plain young girl, in a modest modicum of stocking,
represented the ballet by dancing the Highland Fling, always the
Highland Fling. Such plays as "The Lady of Lyons" happened now and then,
and "The Daughter of the Regiment" must have been, at least partly,
sung. We did not lack the more darkling melodrama, and there were heroic
pieces which gave the leading actor opportunities not lost upon him,
however they failed of effect with the rest of the cast. I remember how
one night a robustuous periwig-pated fellow ramped and roared up and
down the stage, but left quite cold a large group of the _dramatis
personæ_ which his magniloquence was intended to convulse with either
sympathy or antipathy; and how Reed noted with mock-thoughtful
recognition of the situation, "Can't excite those fellows off to the
left, any." I should not be able to say how killingly droll I found
this.
VII
Public-domain text, read in full here on John Shaqi.
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