Howells, William Dean, 1837-1920 -- Childhood and youth
The people of the county were mostly farmers, and of these nearly all
were dairymen. The few manufactures were on a small scale, except
perhaps the making of oars, which were shipped all over the world from
the heart of the primeval forests densely wooding the vast levels of the
region. The portable steam-sawmills dropped down on the borders of the
woods have long since eaten their way through and through them, and
devoured every stick of timber in most places, and drunk up the
watercourses that the woods once kept full; but at that time half the
land was in the shadow of those mighty poplars and hickories, elms and
chestnuts, ashes and hemlocks; and the meadows that pastured the herds
of red cattle were dotted with stumps as thick as harvest stubble. Now
there are not even stumps; the woods are gone, and the watercourses are
torrents in spring and beds of dry clay in summer. The meadows
themselves have vanished, for it has been found that the strong yellow
soil will produce more in grain than in milk. There is more money in the
hands of the farmers there now, but half a century ago there was
[Illustration: _One of the last log houses to survive in the vicinity of
Jefferson. When Mr. Howells lived in the town such dwellings were common
in the surrounding farm region_]
so much less that fifty dollars seldom passed through a farmer's hands
in a year. Payment was made us in kind rather than in coin, and every
sort of farm produce was legal tender at the printing-office. Wood was
welcome in any quantity, for our huge box-stove consumed it with
inappeasable voracity, and even then did not heat the wide, low room
which was at once editorial-room, composing-room, and press-room.
Perhaps this was not so much the fault of the stove as of the building.
In that cold, lake-shore country the people dwelt in wooden structures
almost as thin and flimsy as tents; and often in the first winter of our
sojourn the type froze solid with the water which the compositor put on
it when he wished to distribute his case, placed near the window so as
to get all the light there was, but getting all the cold there was, too.
From time to time the compositor's fingers became so stiff that blowing
on them would not avail; he made many excursions between his stand and
the stove; in severe weather he practised the device of warming his
whole case of types by the fire, and, when they lost heat, warming it
again.
Public-domain text, read in full here on John Shaqi.
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