Country life -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rural poor -- England -- Fiction
'"So give me my own babe, those soft arms adorning,
I'll wed you and cherish you, never to stray;
For it's many a dark and a wild cloudy morning,
Turns out by the noon-time a sunshiny day."'
'A bad moral that, sir,' whispered Tregarva.
'Better than none,' answered Lancelot.
'It's well if you are right, sir, for you'll hear no other.'
The keeper spoke truly; in a dozen different songs, more or less
coarsely, but, in general, with a dash of pathetic sentiment, the
same case of lawless love was embodied. It seemed to be their only
notion of the romantic. Now and then there was a poaching song;
then one of the lowest flash London school--filth and all--was
roared in chorus in presence of the women.
'I am afraid that you do not thank me for having brought you to any
place so unfit for a gentleman,' said Tregarva, seeing Lancelot's
sad face.
'Because it is so unfit for a gentleman, therefore I do thank you.
It is right to know what one's own flesh and blood are doing.'
'Hark to that song, sir! that's an old one. I didn't think they'd
get on to singing that.'
The Blackbird was again on the table, but seemed this time
disinclined to exhibit.
'Out wi' un, boy; it wain't burn thy mouth!'
'I be afeard.'
'O' who?'
'Keeper there.'
He pointed to Tregarva; there was a fierce growl round the room.
'I am no keeper,' shouted Tregarva, starting up. 'I was turned off
this morning for speaking my mind about the squires, and now I'm one
of you, to live and die.'
This answer was received with a murmur of applause; and a fellow in
a scarlet merino neckerchief, three waistcoats, and a fancy
shooting-jacket, who had been eyeing Lancelot for some time, sidled
up behind them, and whispered in Tregarva's ear,--
'Perhaps you'd like an engagement in our line, young man, and your
friend there, he seems a sporting gent too.--We could show him very
pretty shooting.'
Tregarva answered by the first and last oath Lancelot ever heard
from him, and turning to him, as the rascal sneaked off,--
'That's a poaching crimp from London, sir; tempting these poor boys
to sin, and deceit, and drunkenness, and theft, and the hulks.'
'I fancy I saw him somewhere the night of our row--you understand?'
'So do I, sir, but there's no use talking of it.'
Blackbird was by this time prevailed on to sing, and burst out as
melodious as ever, while all heads were cocked on one side in
delighted attention.
'I zeed a vire o' Monday night,
A vire both great and high;
But I wool not tell you where, my boys,
Nor wool not tell you why.
The varmer he comes screeching out,
To zave 'uns new brood mare;
Zays I, "You and your stock may roast,
Vor aught us poor chaps care."
'Coorus, boys, coorus!'
And the chorus burst out,--
'Then here's a curse on varmers all
As rob and grind the poor;
To re'p the fruit of all their works
In **** for evermoor-r-r-r.
Public-domain text, read in full here on John Shaqi.
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