Country life -- England -- Fiction; England -- Social conditions -- 19th century -- Fiction; Rural poor -- England -- Fiction
'Some would say,' answered Lancelot, half aside, 'that He may be
punishing them for not demanding their RIGHT to live like human
beings, to all those social circumstances which shall not make their
children's life one long disease. But are not these pestilences a
judgment on the rich, too, in the truest sense of the word? Are
they not the broad, unmistakable seal to God's opinion of a state of
society which confesses its economic relations to be so utterly
rotten and confused, that it actually cannot afford to save yearly
millions of pounds' worth of the materials of food, not to mention
thousands of human lives? Is not every man who allows such things
hastening the ruin of the society in which he lives, by helping to
foster the indignation and fury of its victims? Look at that group
of stunted, haggard artisans, who are passing us. What if one day
they should call to account the landlords whose coveteousness and
ignorance make their dwellings hells on earth?'
By this time they had reached the artist's house.
Luke refused to enter. . . . 'He had done with this world, and the
painters of this world.' . . . And with a tearful last farewell,
he turned away up the street, leaving Lancelot to gaze at his slow,
painful steps, and abject, earth-fixed mien.
'Ah!' thought Lancelot, 'here is the end of YOUR anthropology! At
first, your ideal man is an angel. But your angel is merely an
unsexed woman; and so you are forced to go back to the humanity
after all--but to a woman, not a man? And this, in the nineteenth
century, when men are telling us that the poetic and enthusiastic
have become impossible, and that the only possible state of the
world henceforward will be a universal good-humoured hive, of the
Franklin-Benthamite religion . . . a vast prosaic Cockaigne of steam
mills for grinding sausages--for those who can get at them. And all
the while, in spite of all Manchester schools, and high and dry
orthodox schools, here are the strangest phantasms, new and old,
sane and insane, starting up suddenly into live practical power, to
give their prosaic theories the lie--Popish conversions, Mormonisms,
Mesmerisms, Californias, Continental revolutions, Paris days of June
. . . Ye hypocrites! ye can discern the face of the sky, and yet ye
cannot discern the signs of this time!'
He was ushered upstairs to the door of his studio, at which he
knocked, and was answered by a loud 'Come in.' Lancelot heard a
rustle as he entered, and caught sight of a most charming little
white foot retreating hastily through the folding doors into the
inner room.
The artist, who was seated at his easel, held up his brush as a
signal of silence, and did not even raise his eyes till he had
finished the touches on which he was engaged.
'And now--what do I see!--the last man I should have expected! I
thought you were far down in the country. And what brings you to me
with such serious and business-like looks?'
Public-domain text, read in full here on John Shaqi.
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