An' what was it that was offered to the gaze o' this romantic piece o'
calicker? Try to rearlize the truth in all its heejusness. Here was the
aforementioned Driscoll arrayed in what was once an A1 fifteen-dollar
suit of clay-worsteds, a good biled shirt, an' a new celluloid collar.
But how changed from what had been but three short days ago the
cinnersure of the eye of every sure-thing or conman on South Halsted
Street? Seventy-five per cent. of eight cases of eggs had went billerin'
over him. The shells of the same clung like barnacles to his apparel.
His curlin' locks was matted an' mucilaged like he'd made a premature
getaway from some liberal-minded shampooer; an' from under his beetlin'
brows that looked like birds' nests from which broods had just hatched,
glared eyes with vi'lence an' crime in every glance. Verily, Aconite was
a beaut! An' here, a-comin' down upon him like the angel o' the Lord on
the Assyrian host, come a starchy, lacey, filmy, ribbiny gal, that had
onst let him hold her hand, by gum! her eyes burnin' with vengeance, an'
that kinder corn-shucky rustlin' that emanated mysterious from her dress
as she walked, a drawin' nearder an' nearder every breath.
"Gladys! Gladys!" says her lady friend. An' as Gladys slowed up, she
says, lower: "I wouldn't interfere in this if I were you, dear!"
"I must!" says Gladys. "It's my duty! I can't permit dumb animals to be
treated so without a protest. It is civic cowardice not to do
disagreeable things for principle. I wish to speak to the man in
charge, please!"
I kep' minglin' with the herd, not carin' to have disagreeable things
done to me for principle, but she cuts me out, an' says, says she, "Do
you know that there's a law against cruelty to dumb animals?"
"They ain't dumb," says I, trying to change my voice, an' officin' up to
Reddy to shove 'em along to their fate while I held the foe in play.
"When you've associated with these cute little cusses as long an'
intermately as I have, ma'am, you'll know that they have a language an'
an ellerquence all their own, that takes 'em out of the pervisions o'
that law you speak of, an'--"
Here's where I overplays my hand, an' lets her get onto the genuyne
tones of my voice. I ortn't to done this, f'r she'd heared it at close
range. An' to make a dead cinch out of a good gamblin' proposition, I
looked her in the eyes. It was all off in a breath. She give a sort of
gasp as if somethin' cold had hit her, an' went petrified, sort o' slow
like.
Public-domain text, read in full here on John Shaqi.
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