Yermah the Dorado: The story of a lost raceWait, Frona Eunice
Science
Yermah the Dorado: The story of a lost race
Wait, Frona Eunice
Fantasy fiction; Geographical myths -- Fiction
It was a woman’s courage, born of love—the love of giving herself wholly
to the object of her choice. Nerved by this feeling, she came toward him
confidently, but with a timid smile and rising color, and gave the cup
into his trembling hands.
For a moment, he shrank back from her.
“O God! My oath!” was wrung from his lips. It was for an instant only.
“But I love her with all my soul!” he cried, as he knelt and kissed the
proferred hand.
Ignorant and innocent alike of the cause of his emotion, Kerœcia sought
to reassure him.
“The Monbas will love thee, too,” she said. “Hear their assenting
shouts.”
“Atlantis and her dependencies shall worship and adore thee, as I do.
Kerœcia, my love, I shall be a loyal husband to thee.”
“As I shall be a dutiful and loving wife to thee!”
The betrothed couple were nearly swept off their feet by the crowds
which surged around them. The Monbas and Azes embraced each other,
called one another brother, and pledged fealty to the new alliance.
Thus was the compact ratified.
Every one was anxious to talk the matter over with his neighbor. So,
they all sought their homes in animated groups, leaving behind a scene
of disorder. Napkins were scattered wherever the last ablutions were
performed. Ewers and cups with their contents had been frequently
overturned. Fragments of food, cooked and uncooked, some untouched and
others partly eaten, were abandoned by the sated appetite, and left
without further thought, until hunger should recall their excellence.
In a short time the streets were silent and deserted, the remaining
hours of the day being devoted to a siesta indoors. No one issued from
his house again until night unpinned a black curtain and rolled it down
over the earth.
When God had hung His lanterns in the sky, the people came together
again. They went back to the pavilion which was now a blaze of light
from the many flambeaux stuck into brass urns around the high walls,
augmented by hundreds of silk lanterns festooned on wires stretching
across to the center pole. There was breeze enough to keep the flags in
motion, and to cause the lights to flicker fitfully, adding to the
fairy-like beauty of the scene.
The character of the music had entirely changed. The kettle-drums were
muffled and beaten with the fingers only. Instead of the blare of
trumpets, there were harps such as the Yaqui Indians use, and differing
but little from the modern instruments.
Slabs of black and white marble covered the ring floor, save where a
wide passageway had been left on all sides for use of the people in
seating themselves. The pavilion had been transformed into a bower of
roses and artificial trees.
Under a floral canopy, Kerœcia, dressed in white and silver gauze, sat
with one of the judges on either side of her. She was waiting to crown
the victors. The musicians made victory, love and triumph their theme,
as Yermah, escorted by Ben Hu Barabe, approached and knelt to receive a
crown of lilies and a palm.
Public-domain text, read in full here on John Shaqi.
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