Yermah the Dorado: The story of a lost raceWait, Frona Eunice
Science
Yermah the Dorado: The story of a lost race
Wait, Frona Eunice
Fantasy fiction; Geographical myths -- Fiction
The crowd manifested some curiosity, which Setos noted out of the corner
of his eye as they went by. If he had failed to win all he had played
for, he had at least accomplished something.
Gratified ambition sent a glow of satisfaction through Setos which made
him feel quite amiable toward Yermah, despite his fixed determination to
either rule or ruin the Dorado—beloved of the people.
CHAPTER TWENTY-THREE
FOR REASONS OF STATE—ORONDO ESPOUSES ILDIKO
Three months intervened between the betrothal announcement, immediately
after Ildiko’s consent was obtained, and the beginning of the wedding
festival, which lasted thirty days. This brought the actual consummation
down to the time in October when the sun and moon were in conjunction.
Those were happy days for Ildiko, who was in a flutter of excitement
from morning until night over the preparation of her trousseau.
Everything necessary for her comfort was furnished in sets of twelve.
There were exquisitely ornamented terra-cotta jars provided for each of
her dresses, which were placed in a row around the walls of her room,
much more suggestive of tea than of a wardrobe.
For the ceremony in the Temple of Venus there was a creation of vivid
yellow, wrought in heavy bands of silk embroidery and tawny gold. The
veil to match was of the finest yellow gauze, worked with floss and
glitter until it was like a cobweb with the sun shining through it. The
material of the gown was that of rare, fine texture which writers are
always drawing through a finger-ring.
In the voluminous skirt, at least twenty yards of gossamer silk had been
used, but the effect was soft, clinging and graceful in the extreme. The
waist was like an Eton jacket, too short to reach the skirt, and had
half-length sleeves. The substitute for material at the waist line was a
broad girdle of jewels.
Orondo himself superintended the making of this article. It would be his
privilege to unclasp it on the nuptial night and hang it outside the
bridal chamber, as a pledge of his wife’s honor. It was not a straight
band, but broadened over the hips, and was sacred to Venus, the love
planet.
The second of the bridal robes was of scarlet silk, almost covered with
gold-thread embroidery, in which precious stones were skillfully
imbedded. With it was provided a red gauze veil edged with gold fringe.
Both gowns were fashioned alike, except that the red skirt was narrower,
and finished in a long train edged with peacock feathers, which hung as
a mantle from the shoulders.
As soon as the city was decorated, and during the entire thirty days’
preliminary festivities, Ildiko wore simple white, destitute of
ornament.
She did not appear in public, except in going to and from the Temple of
Venus, where she greeted the rising sun every morning and offered
special prayers on behalf of her new duties.
Public-domain text, read in full here on John Shaqi.
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