Yermah the Dorado: The story of a lost raceWait, Frona Eunice
Science
Yermah the Dorado: The story of a lost race
Wait, Frona Eunice
Fantasy fiction; Geographical myths -- Fiction
It was also the signal for Orondo, with Setos on one side and Hanabusa
on the other, to issue from the eastern entrance of the official
residence. His warrior dress of white kid was rich in golden bosses,
bands and fringes. Over his shoulders hung the green feather mantle of
his rank, held in place by shoulder medallions of brilliants.
On his head was a tall liberty cap of white kid, ornamented with gold
filigree, and having three quetzal feathers in the apex. He doffed his
head-covering at the temple door, exposing a simple gold band over his
hair.
Setos and Hanabusa wore a silver and green combination, ornate with
eagle’s feathers and embroidery. They carried large bouquets of roses,
and supported the sword and shield of the bridegroom.
Behind them, in single file, carrying a jeweled lantern in each hand,
came Alcamayn, Ben Hu Barabe, Cezardis, and twenty-two young officers of
the highest rank, in full regimentals, followed by the representative
men of Tlamco, with the priesthood and councilors of state in the lead.
Their wives stood in line in front of Setos’s house, waiting to perform
the same service for Ildiko.
“Blessed be he that cometh!” shouted the people in the streets.
“Blessed indeed is he!” responded Orondo’s escort.
“Haille! Haille! Haille!” they shouted together.
Then the same formula was repeated.
The first greeting and exchange brought Ildiko to the door. She glanced
about her half-fearfully, and seemed in need of Yermah’s supporting arm.
In addition to the yellow robe already described, she wore a mantle of
yellow brocaded with silver and gold, which swept the ground far behind
her.
For the last time in her life would she be permitted to wear her hair
flowing, and its gold band, an exact duplicate of the one Orondo wore,
was the only ornament, save a crown of white lilies, attesting her
purity of heart. Strand after strand of pearls wound around her neck;
bangles and bracelets dangled at her slender wrists; but her small white
hands were uncovered, and her fingers were unadorned.
Yermah wore pale blue cloth embroidered with silver stars and bands, and
a blue cap, with silver ornaments and white plumes. His mantle was of
plain white silk. From his left arm swung a large reticule of silver
cloth crusted with turquoise, containing the yellow gauze wedding-veil.
Supporting the train of the bride’s mantle came Rahula, in a purple
robe, elaborately worked with a pattern of leaves in pale metallic
green, outlined in delicately frosted silver. The jacket was lined with
green, and the undervest was a mass of silver and jewels.
Beside her was Alcyesta, in a lavender robe. Iridescent bead
embroideries set with amethysts, and copper ornaments in quaint symbolic
design, such as the Monbas were wont to employ, made a pleasing contrast
to the rows of vestals and priestesses in pure white.
Public-domain text, read in full here on John Shaqi.
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