Yermah the Dorado: The story of a lost raceWait, Frona Eunice
Science
Yermah the Dorado: The story of a lost race
Wait, Frona Eunice
Fantasy fiction; Geographical myths -- Fiction
In her big Oriental eyes, shaded with long lashes, was a glint of the
bronze which the sun brought out in her hair. A ripened peach is the
only fitting comparison for her cheeks, and her tiny, even teeth
glistened white between the perfectly formed and curved lips which in
parting revealed them.
Ildiko, taller, and more slight, was a sharp contrast, her fuzzy white
hair, eye-brows, and lashes contrasting with her shell-pink skin. The
pale blue of her dress strengthened the color of her eyes, which were so
well set back that a full interpretation of their language baffled the
observer. There were embroideries and jeweled passementeries, the rich
arrangement of which showed the detail of her toilet. A gauze head-dress
supporting a thin veil, which fell well down over her back, helped the
illusion. She skillfully tried to get full benefit of the roseate rays
reflected by an umbrella held over her head by an attendant.
Yermah took her hand and placed it in Kerœcia’s outstretched palm, and
then put both his own over them protectingly.
“May such love as sisters bear each other bind thee.”
Then bringing Rahula forward, he presented her. A dark-red head-band,
glistening with jetted embroidery and drooping ear ornaments enhanced
the luster of her iron-gray hair, and somewhat softened the expression
of her wrinkled face. Not a facet of the jet sparkled brighter than her
beady, black eyes, which were never quite in accord with her thin
smiling lips.
Simple gold bands without ornament confined the locks of Alcyesta,
Suravia, and Mineola, that of the first and last being dark and
abundant, while Suravia’s hair was like spun gold in texture and color.
These bands did not go all the way around the head, but terminated over
each ear in medallions, jeweled and enameled in quaint design. Alcyesta
wore pale yellow; Suravia, lavender; and Mineola, pink. A bright plaid
sash was tied about each waist, and fell to the hem in the back. Sandals
with pointed toes, reaching well over the instep, protected the feet.
The other women wore dresses of cotton cloth made like chemises. These
were of four colors, and worn one over the other. The edges were
variously ornamented, some with figures, others again with embroidery or
saw-teeth appliqués of a different shade. Necklaces of beads, jeweled
belts, earrings, bracelets and sandals were common to them all. Some
wore crowns or other fanciful head-covering with bright feather
ornaments, while others braided their hair in two loose plaits, and
covered their heads with an indescribably fine-woven basket, highly
ornate, which came to a point at the top.
The Highlander of to-day would appreciate and admire the markings of the
cloth worn by these sturdy mountaineers. For the leaders, there were
plaids of seven colors; for the next in rank, five colors; for governors
of fortresses, four colors; for captains, three colors; for warriors,
two colors; for the common people, one color.
Public-domain text, read in full here on John Shaqi.
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